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Guerrilla Art and Protest in Modern ...

Skaar, Suzanne.

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Guerrilla Art and Protest in Modern Russia.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Guerrilla Art and Protest in Modern Russia./
Author:	Skaar, Suzanne.
Description:	67 p.
Notes:	Source: Masters Abstracts International, Volume: 52-01.
Contained By:	Masters Abstracts International52-01(E).
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1542510
ISBN:	9781303272646

Guerrilla Art and Protest in Modern Russia.
Skaar, Suzanne.

Guerrilla Art and Protest in Modern Russia. - 67 p.

Source: Masters Abstracts International, Volume: 52-01.

Thesis (Master's)--University of Washington, 2013.

This paper looks at the connection between guerrilla art and protest in modern Russia, specifically in the major cities of St. Petersburg and Moscow. A historical context is provided to show the long tradition of guerrilla art in Russia. Collective action frames, framing processes, and narrative are used to explain how guerrilla art has been used in protest movements. While the author includes some of her original documentation of street art found in both major city centers, she also draws upon the relationship between two of the more famous Russian guerrilla art collectives, Voina and Pussy Riot, and Russian authority.

ISBN: 9781303272646Subjects--Topical Terms:

735016
Anthropology, Cultural.

Guerrilla Art and Protest in Modern Russia.
LDR:01479nam a2200289 4500 001 1966892
005 20141112075540.5
008 150210s2013 ||||||||||||||||| ||eng d
020 $a 9781303272646
035 $a (MiAaPQ)AAI1542510
035 $a AAI1542510
040 $a MiAaPQ $c MiAaPQ
100 1 $a Skaar, Suzanne. $3 2103787
245 1 0 $a Guerrilla Art and Protest in Modern Russia.
300 $a 67 p.
500 $a Source: Masters Abstracts International, Volume: 52-01.
500 $a Advisers: Scott Radnitz; James West.
502 $a Thesis (Master's)--University of Washington, 2013.
520 $a This paper looks at the connection between guerrilla art and protest in modern Russia, specifically in the major cities of St. Petersburg and Moscow. A historical context is provided to show the long tradition of guerrilla art in Russia. Collective action frames, framing processes, and narrative are used to explain how guerrilla art has been used in protest movements. While the author includes some of her original documentation of street art found in both major city centers, she also draws upon the relationship between two of the more famous Russian guerrilla art collectives, Voina and Pussy Riot, and Russian authority.
590 $a School code: 0250.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Art History. $3 635474
650 4 $a History, Russian and Soviet. $3 1032239
690 $a 0326
690 $a 0377
690 $a 0724
710 2 $a University of Washington. $b International Studies. $3 2094357
773 0 $t Masters Abstracts International $g 52-01(E).
790 $a 0250
791 $a Master's
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1542510