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Correcting perspectives: Jan Dibbets...
~
Coyne, Mary L.
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Correcting perspectives: Jan Dibbets and an optical conceptualism.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Correcting perspectives: Jan Dibbets and an optical conceptualism./
Author:
Coyne, Mary L.
Description:
138 p.
Notes:
Source: Masters Abstracts International, Volume: 52-01.
Contained By:
Masters Abstracts International52-01(E).
Subject:
Art History. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1523353
ISBN:
9781303209215
Correcting perspectives: Jan Dibbets and an optical conceptualism.
Coyne, Mary L.
Correcting perspectives: Jan Dibbets and an optical conceptualism.
- 138 p.
Source: Masters Abstracts International, Volume: 52-01.
Thesis (M.A.)--California State University, Long Beach, 2013.
This thesis provides a revisionist history of Dutch artist Jan Dibbets's early practice. Jan Dibbets has not yet, been credited in art historical scholarship for his contributions in foregrounding visual experience within Conceptual practice. This thesis offers an additional narrative by suggesting a comparison between his early practice and the work being produced by European artists working in a tradition of visual perception. By studying the contemporary reception of Dibbets's work and Perceptual Abstraction, I argue how traditional art historical boundaries have obstructed a possible reading of this artist's practice.
ISBN: 9781303209215Subjects--Topical Terms:
635474
Art History.
Correcting perspectives: Jan Dibbets and an optical conceptualism.
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138 p.
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Source: Masters Abstracts International, Volume: 52-01.
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Adviser: Matthew Simms.
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This thesis provides a revisionist history of Dutch artist Jan Dibbets's early practice. Jan Dibbets has not yet, been credited in art historical scholarship for his contributions in foregrounding visual experience within Conceptual practice. This thesis offers an additional narrative by suggesting a comparison between his early practice and the work being produced by European artists working in a tradition of visual perception. By studying the contemporary reception of Dibbets's work and Perceptual Abstraction, I argue how traditional art historical boundaries have obstructed a possible reading of this artist's practice.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1523353
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