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Generative Audio Design: Emergent So...

Nelson, Blair Robert.

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Generative Audio Design: Emergent Sound Art for an Open World Interface.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Generative Audio Design: Emergent Sound Art for an Open World Interface./
Author:	Nelson, Blair Robert.
Description:	9 p.
Notes:	Source: Masters Abstracts International, Volume: 50-05, page: 2738.
Contained By:	Masters Abstracts International50-05.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1508889
ISBN:	9781267288554

Generative Audio Design: Emergent Sound Art for an Open World Interface.
Nelson, Blair Robert.

Generative Audio Design: Emergent Sound Art for an Open World Interface. - 9 p.

Source: Masters Abstracts International, Volume: 50-05, page: 2738.

Thesis (M.F.A.)--University of California, San Diego, 2012.

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ISBN: 9781267288554Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Generative Audio Design: Emergent Sound Art for an Open World Interface.
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020 $a 9781267288554
035 $a (MiAaPQ)AAI1508889
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100 1 $a Nelson, Blair Robert. $3 2102295
245 1 0 $a Generative Audio Design: Emergent Sound Art for an Open World Interface.
300 $a 9 p.
500 $a Source: Masters Abstracts International, Volume: 50-05, page: 2738.
500 $a Includes supplementary digital materials.
500 $a Adviser: Shahrokh Yadegari.
502 $a Thesis (M.F.A.)--University of California, San Diego, 2012.
520 $a Clink. Clank clink. Ink cling clong clang. Cank ling. Ang clang. Clink. Clink. Clink. Clink. Clock clink. Click. Click. Click click. Cling. Clink. Clink clock click. Clah cling clah clink. Clag king. Kink. Dink. Dank. Kank. Ka clang, clonk. Konp. Koh kah cloak clock klink donk. Dong kling. Pah. Klong. Kland. Dah koh. Onk. Donk. Dip. Ing dop. Dop drop drip. Drape kape. Drip. Drip. Drim dram. Dip kip. Rim ram. Hop. Hum. Dim. Kum. Dah dape. Dee. Drip. Drop. Krop din. Dink. Rang drahh. Rimmmm. Rahh dip. Doooo. Drum drip. Drip drip. Drip. Drip drrrr. Ahhhh. Ooooooo. Whooo. Ahhhhhhhhhh eee. Ooooo. Uhh. Ooooo. Ahhhhhh. Whahhhh. Whaaahh. Whahh. Wah. Wah wa wa wa. Wha. Whahh. Whahhhh ahhhhhhhhh.
520 $a Hearing process exposes the movement of audio; ice melts into a liquid --- into a gas of overtones. What is perceived as music and what is perceived as sound emerges into a coexistent designed world of audio, sandbox style. Using Ableton Live, a MIDI controller and keyboard with a MacBook Pro and iPad, I explore the boundaries of sound and music and discover an evolving role in real-time. Listen how the function of audio becomes in conversation with a non-linear form for the interactive space generated. Hearing process exposes the movement of audio; ice melts into a liquid - into a gas of overtones. What is perceived as music and what is perceived as sound emerges into a coexistent designed world of audio, sandbox style. Using Ableton Live, a MIDI controller and keyboard with a MacBook Pro and iPad, I explore the boundaries of sound and music and discover an evolving role in real-time. Listen how the function of audio becomes in conversation with a non-linear form for the interactive space generated.
590 $a School code: 0033.
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a Music. $3 516178
650 4 $a Dance. $3 610547
690 $a 0389
690 $a 0413
690 $a 0378
710 2 $a University of California, San Diego. $b Theatre. $3 1673558
773 0 $t Masters Abstracts International $g 50-05.
790 $a 0033
791 $a M.F.A.
792 $a 2012
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1508889