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Delivering Design: Performance and M...

Goodman, Elizabeth Sarah.

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Delivering Design: Performance and Materiality in Professional Interaction Design.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Delivering Design: Performance and Materiality in Professional Interaction Design./
Author:	Goodman, Elizabeth Sarah.
Description:	259 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.
Contained By:	Dissertation Abstracts International75-08A(E).
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3616455
ISBN:	9781303833014

Delivering Design: Performance and Materiality in Professional Interaction Design.
Goodman, Elizabeth Sarah.

Delivering Design: Performance and Materiality in Professional Interaction Design. - 259 p.

Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.

Thesis (Ph.D.)--University of California, Berkeley, 2013.

Interaction design is the definition of digital behavior, from desktop software and mobile applications to components of appliances, automobiles, and even biomedical devices. Where architects plan buildings, graphic designers make visual compositions, and industrial designers give form to three-dimensional objects, interaction designers define the digital components of products and services. These include websites, mobile applications, desktop software, automobiles, consumer electronics, and more. Interaction design is a relatively new but fast-growing discipline, emerging with the explosive growth of the World Wide Web. In a software-saturated world, every day, multiple times a day, billions of people encounter the work products of interaction design.

ISBN: 9781303833014Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Delivering Design: Performance and Materiality in Professional Interaction Design.
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020 $a 9781303833014
035 $a (MiAaPQ)AAI3616455
035 $a AAI3616455
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100 1 $a Goodman, Elizabeth Sarah. $3 2101923
245 1 0 $a Delivering Design: Performance and Materiality in Professional Interaction Design.
300 $a 259 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.
500 $a Adviser: Nancy Van House.
502 $a Thesis (Ph.D.)--University of California, Berkeley, 2013.
520 $a Interaction design is the definition of digital behavior, from desktop software and mobile applications to components of appliances, automobiles, and even biomedical devices. Where architects plan buildings, graphic designers make visual compositions, and industrial designers give form to three-dimensional objects, interaction designers define the digital components of products and services. These include websites, mobile applications, desktop software, automobiles, consumer electronics, and more. Interaction design is a relatively new but fast-growing discipline, emerging with the explosive growth of the World Wide Web. In a software-saturated world, every day, multiple times a day, billions of people encounter the work products of interaction design.
520 $a Given the reach of their profession, how interaction designers work is of paramount concern. In considering interaction design, this dissertation turns away from a longstanding question of design studies: How does interaction design demonstrate a special form of human thought? And towards a set of questions drawn from practice-oriented studies of science and technology: What kinds of objects and subjects do interaction design practices make, and how do those practices produce them? .
520 $a Based on participant observation at three San Francisco interaction design consultancies and interviews with designers in California's Bay Area, this dissertation argues that performance practices organize interaction design work. By "performance practices," I mean episodes of storytelling and narrative that take place before an audience of witnesses. These performances instantiate --- make visible and tangibly felt --- the human and machine behaviors that the static deliverables seem unable on their own to materialize. In doing so, performances of the project help produce and sustain alignment within teams and among designers, clients, and developers.
520 $a In this way, a focus on episodes of performance turns our concerns from cognition, in which artifacts assist design thinking, to one of enactment, in which documents, spaces, tools, and bodies actively participating in producing the identities, responsibilities, and capacities of project constituents. It turns our attention to questions of political representation, materiality and politics. From this perspective, it is not necessarily how designers think but how they stage and orchestrate performances of the project that makes accountable, authoritative decision-making on behalf of clients and prospective users possible.
590 $a School code: 0028.
650 4 $a Design and Decorative Arts. $3 1024640
650 4 $a Web Studies. $3 1026830
650 4 $a Computer Science. $3 626642
690 $a 0389
690 $a 0646
690 $a 0984
710 2 $a University of California, Berkeley. $b Information Management & Systems. $3 1675919
773 0 $t Dissertation Abstracts International $g 75-08A(E).
790 $a 0028
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3616455