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Costuming the Character: From Resear...

Sutton, Amy.

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Costuming the Character: From Research to Production.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Costuming the Character: From Research to Production./
Author:	Sutton, Amy.
Description:	10 p.
Notes:	Source: Masters Abstracts International, Volume: 52-06.
Contained By:	Masters Abstracts International52-06(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1553964
ISBN:	9781303826689

Costuming the Character: From Research to Production.
Sutton, Amy.

Costuming the Character: From Research to Production. - 10 p.

Source: Masters Abstracts International, Volume: 52-06.

Thesis (M.F.A.)--University of California, San Diego, 2014.

The costume design process is extensive, beginning with design discussions and ending on opening night. While the steps toward the final design remain consistent for each show, I find that the design process is unique with each new script, production team, and cast.

ISBN: 9781303826689Subjects--Topical Terms:

522973
Theater.

Costuming the Character: From Research to Production.
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020 $a 9781303826689
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100 1 $a Sutton, Amy. $3 2101887
245 1 0 $a Costuming the Character: From Research to Production.
300 $a 10 p.
500 $a Source: Masters Abstracts International, Volume: 52-06.
500 $a Includes supplementary digital materials.
500 $a Adviser: Judith A. Dolan.
502 $a Thesis (M.F.A.)--University of California, San Diego, 2014.
520 $a The costume design process is extensive, beginning with design discussions and ending on opening night. While the steps toward the final design remain consistent for each show, I find that the design process is unique with each new script, production team, and cast.
520 $a The Santa Barbarians evolved from research collaged from magazines to a world of realism, in which each of the principal males characters' unique personalities were expressed through the variations in style.
520 $a In Elizabeth I, I interpreted Elizabethan costume through a modern eye, working with the team & cast to create a whimsical world of "DIY" costumes. A particular challenge in this show was transformation of actors for multiple roles, in fast & effective ways.
520 $a For Drums in the Night, the director and design team worked to create a hyper-realistic world seen through the eye of an escaped POW. I worked closely with the actors to tell a detailed story. Every article of clothing, from an old Army t-shirt to an orange pocket square, was selected with purpose and meaning within the world, to create a very specific characterization.
520 $a She Stoops to Conquer presented the challenge of working with a professional director and creating the enticing world of a period comedy. We chose to set the show in the Georgian & Regency periods, which allowed me to define characters' personality, like age & status, to the audience through style choices. It involved detailed research and careful selection of costume pieces, in order to portray the period correctly.
590 $a School code: 0033.
650 4 $a Theater. $3 522973
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0465
690 $a 0389
710 2 $a University of California, San Diego. $b Theatre and Dance. $3 2094293
773 0 $t Masters Abstracts International $g 52-06(E).
790 $a 0033
791 $a M.F.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1553964