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The multiplied body: Romanticism's i...
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Balejko, Dana M.
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The multiplied body: Romanticism's imaginary subject.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The multiplied body: Romanticism's imaginary subject./
Author:
Balejko, Dana M.
Description:
216 p.
Notes:
Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Contained By:
Dissertation Abstracts International74-11A(E).
Subject:
Literature, Modern. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3588138
ISBN:
9781303260643
The multiplied body: Romanticism's imaginary subject.
Balejko, Dana M.
The multiplied body: Romanticism's imaginary subject.
- 216 p.
Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Thesis (Ph.D.)--State University of New York at Albany, 2013.
"The Multiplied Body: Romanticism's Imaginary Subject" develops a new understanding of the Romantic subject as one that fundamentally disrupts the formation of the poetic "I" in its demonstration that through the "awful power" of the imagination the Romantic body is always, already multiplied. The texts analyzed (both Romantic and contemporary) recognize the "constitutive" social and historical fallacies surrounding definitions of the "natural" human. This project's development of an imagined multiple body denotes a refutation of humanistic theories about embodied existence. Ultimately, through an analysis of poetry by Wordsworth, Keats, and Shelley (among others), "The Multiplied Body" reveals alternative ontological strategies of knowing that question assumptions about subjectivity and its relationship to materialization.
ISBN: 9781303260643Subjects--Topical Terms:
624011
Literature, Modern.
The multiplied body: Romanticism's imaginary subject.
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Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
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Adviser: Richard Barney.
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Thesis (Ph.D.)--State University of New York at Albany, 2013.
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"The Multiplied Body: Romanticism's Imaginary Subject" develops a new understanding of the Romantic subject as one that fundamentally disrupts the formation of the poetic "I" in its demonstration that through the "awful power" of the imagination the Romantic body is always, already multiplied. The texts analyzed (both Romantic and contemporary) recognize the "constitutive" social and historical fallacies surrounding definitions of the "natural" human. This project's development of an imagined multiple body denotes a refutation of humanistic theories about embodied existence. Ultimately, through an analysis of poetry by Wordsworth, Keats, and Shelley (among others), "The Multiplied Body" reveals alternative ontological strategies of knowing that question assumptions about subjectivity and its relationship to materialization.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3588138
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