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Teaching improvisation to orchestral...

Geib, Michael Thomas.

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Teaching improvisation to orchestral double bass players: Significance and methodology.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Teaching improvisation to orchestral double bass players: Significance and methodology./
Author:	Geib, Michael Thomas.
Description:	69 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Contained By:	Dissertation Abstracts International75-01A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3596499
ISBN:	9781303432774

Teaching improvisation to orchestral double bass players: Significance and methodology.
Geib, Michael Thomas.

Teaching improvisation to orchestral double bass players: Significance and methodology. - 69 p.

Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.

Thesis (D.M.)--The Florida State University, 2013.

The purpose of this treatise is to develop a comprehensive method for teaching improvisation to orchestral double bass players in modern conservatories and music schools. In addition, this treatise will explore the current and historical significance of improvisation for contrabass string instruments in Western music. The research will prove that not only is improvisation an important part of music history, it will also greatly enhance the overall performing ability of every orchestral bassist.

ISBN: 9781303432774Subjects--Topical Terms:

516178
Music.

Teaching improvisation to orchestral double bass players: Significance and methodology.
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020 $a 9781303432774
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100 1 $a Geib, Michael Thomas. $3 2099777
245 1 0 $a Teaching improvisation to orchestral double bass players: Significance and methodology.
300 $a 69 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
500 $a Adviser: Melanie Punter.
502 $a Thesis (D.M.)--The Florida State University, 2013.
520 $a The purpose of this treatise is to develop a comprehensive method for teaching improvisation to orchestral double bass players in modern conservatories and music schools. In addition, this treatise will explore the current and historical significance of improvisation for contrabass string instruments in Western music. The research will prove that not only is improvisation an important part of music history, it will also greatly enhance the overall performing ability of every orchestral bassist.
520 $a The introduction will present the argument of why orchestral bassists should learn improvisation. It will be argued that improvisation is no different than any other developed musical skill, and that orchestral double bassists have all the tools necessary to pursue this art form. The first chapter will examine the role of improvisation in the history of Western art music, providing extensive evidence of its use and importance over a period of several hundred years. The second chapter will present a method for teaching improvisation, specifically to those who have no previous experience in learning it. The method is designed for use with players of all ages, although the musician must have at least a certain amount of proficiency for this system to be most effective.
520 $a Improvisation is an integral part of all Western music, past and present. This treatise is intended to provide orchestral bassists with a means to learn this art form, as well as understand its historical and current significance.
590 $a School code: 0071.
650 4 $a Music. $3 516178
650 4 $a Education, Music. $3 1017808
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690 $a 0522
710 2 $a The Florida State University. $b Music. $3 2093296
773 0 $t Dissertation Abstracts International $g 75-01A(E).
790 $a 0071
791 $a D.M.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3596499