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Franz Liszt's "Fantasy and Fugue on ...

Nam, Minjung.

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Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide./
Author:	Nam, Minjung.
Description:	98 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
Contained By:	Dissertation Abstracts International75-02A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3597618
ISBN:	9781303457609

Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide.
Nam, Minjung.

Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide. - 98 p.

Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.

Thesis (D.M.A.)--University of Cincinnati, 2013.

This study will provide a performance guide to Liszt's large-scale organ work, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam (1850). This piece is considered by many to be a work that initiates a new genre, creates a new form, and leads in a new direction for the organ, as it ventures out of the church and into the concert hall1. This nineteenth-century work exists within a context which saw a general secularization of organ music, changes in the instrument that could provide a more "orchestral" sound, and the emergence of a genre, the organ symphony, to exploit these developments. This guide will discuss these contexts and describe some of the unique characteristics of this work related to symphonic writing, such as instrumental recitative, form, influence from opera, use of the main theme, virtuosic elements, and pianistic devices. A major portion of the document will consist of suggestions for performance (registration, rubato, phrasing, articulation, breathing, dynamics, tempo), based on a detailed comparison of recordings of the work by four distinguished European organists.

ISBN: 9781303457609Subjects--Topical Terms:

516178
Music.

Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide.
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245 1 0 $a Franz Liszt's "Fantasy and Fugue on the chorale Ad nos, ad salutarem undam": A Performer's Guide.
300 $a 98 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
500 $a Adviser: Roberta Gary.
502 $a Thesis (D.M.A.)--University of Cincinnati, 2013.
520 $a This study will provide a performance guide to Liszt's large-scale organ work, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam (1850). This piece is considered by many to be a work that initiates a new genre, creates a new form, and leads in a new direction for the organ, as it ventures out of the church and into the concert hall1. This nineteenth-century work exists within a context which saw a general secularization of organ music, changes in the instrument that could provide a more "orchestral" sound, and the emergence of a genre, the organ symphony, to exploit these developments. This guide will discuss these contexts and describe some of the unique characteristics of this work related to symphonic writing, such as instrumental recitative, form, influence from opera, use of the main theme, virtuosic elements, and pianistic devices. A major portion of the document will consist of suggestions for performance (registration, rubato, phrasing, articulation, breathing, dynamics, tempo), based on a detailed comparison of recordings of the work by four distinguished European organists.
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773 0 $t Dissertation Abstracts International $g 75-02A(E).
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3597618