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The promise of tradition: Music, mod...

Fay, Brendan.

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The promise of tradition: Music, modernity and mass society in Weimar Germany.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The promise of tradition: Music, modernity and mass society in Weimar Germany./
Author:	Fay, Brendan.
Description:	236 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
Contained By:	Dissertation Abstracts International75-02A(E).
Subject:	History, European. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3597751
ISBN:	9781303460616

The promise of tradition: Music, modernity and mass society in Weimar Germany.
Fay, Brendan.

The promise of tradition: Music, modernity and mass society in Weimar Germany. - 236 p.

Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2013.

Understanding the collapse of Weimar democracy has been the subject of historical interest since the demise of the Republic itself. While the political and economic crises that plagued the state from its inception have received their due as key contributing factors, a widespread sense of cultural pessimism and decline has likewise tended to be seen as delivering a fatal blow to Weimar. The reaction against Weimar modernism, so many historians have suggested, played a central role in garnering the Nazis crucial support from Germany's cultural conservatives who shared the Nazis disdain for artistic innovation and experimentation. This dissertation seeks to challenge a well-entrenched historiography that has often married cultural conservatism to reactionary politics and forged clear continuities within the conservative musical press between Weimar and the Third Reich. The dissertation argues that Weimar was not as radically modern as historians have long claimed it to be, nor were cultural traditionalists so uniformly nationalist, reactionary and xenophobic as recent scholarship has suggested. In canvassing conservative attitudes toward radio, the question of nationalism in music, the role of race and ethnicity in musical performance, and the impact of the inflation on German concert life, the dissertation highlights key ruptures that emerged in critical writing on music between Weimar and the Third Reich.

ISBN: 9781303460616Subjects--Topical Terms:

1018076
History, European.

The promise of tradition: Music, modernity and mass society in Weimar Germany.
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100 1 $a Fay, Brendan. $3 2095975
245 1 4 $a The promise of tradition: Music, modernity and mass society in Weimar Germany.
300 $a 236 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
500 $a Advisers: Mark Roseman; Julia Roos.
502 $a Thesis (Ph.D.)--Indiana University, 2013.
520 $a Understanding the collapse of Weimar democracy has been the subject of historical interest since the demise of the Republic itself. While the political and economic crises that plagued the state from its inception have received their due as key contributing factors, a widespread sense of cultural pessimism and decline has likewise tended to be seen as delivering a fatal blow to Weimar. The reaction against Weimar modernism, so many historians have suggested, played a central role in garnering the Nazis crucial support from Germany's cultural conservatives who shared the Nazis disdain for artistic innovation and experimentation. This dissertation seeks to challenge a well-entrenched historiography that has often married cultural conservatism to reactionary politics and forged clear continuities within the conservative musical press between Weimar and the Third Reich. The dissertation argues that Weimar was not as radically modern as historians have long claimed it to be, nor were cultural traditionalists so uniformly nationalist, reactionary and xenophobic as recent scholarship has suggested. In canvassing conservative attitudes toward radio, the question of nationalism in music, the role of race and ethnicity in musical performance, and the impact of the inflation on German concert life, the dissertation highlights key ruptures that emerged in critical writing on music between Weimar and the Third Reich.
590 $a School code: 0093.
650 4 $a History, European. $3 1018076
650 4 $a Music. $3 516178
650 4 $a History, Modern. $3 516334
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710 2 $a Indiana University. $b History. $3 1273335
773 0 $t Dissertation Abstracts International $g 75-02A(E).
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792 $a 2013
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3597751