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A theoretical model for practicing.

Drayton, James Michael.

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A theoretical model for practicing.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	A theoretical model for practicing./
Author:	Drayton, James Michael.
Description:	284 p.
Notes:	Source: Dissertation Abstracts International, Volume: 74-09(E), Section: A.
Contained By:	Dissertation Abstracts International74-09A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3563657
ISBN:	9781303121364

A theoretical model for practicing.
Drayton, James Michael.

A theoretical model for practicing. - 284 p.

Source: Dissertation Abstracts International, Volume: 74-09(E), Section: A.

Thesis (D.M.A.)--University of Miami, 2013.

The purpose of this paper is to propose a new practice paradigm for musicians that allows them to quickly identify errors, choose the most appropriate strategy needed to help them maximize their efforts in the practice room, and also have a method that will allow the individual to see and measure their growth in an objective fashion. The researcher first reviewed the literature on practicing to distill the proven techniques. From this review, the researcher created a new practice paradigm that closely follows the current research testing method of pretest-practice-posttest provided a list of materials needed for the practice session, and a detailed explanation of how an individual should perform each step of the paradigm. After creating the paradigm, the researcher created a new purpose and hypothesis for some of the studies that he reviewed so that future researchers could easily test his model and compare it to prior researcher. Finally, the researcher gives an explanation of who can use this model.

ISBN: 9781303121364Subjects--Topical Terms:

516178
Music.

A theoretical model for practicing.
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100 1 $a Drayton, James Michael. $3 2093575
245 1 2 $a A theoretical model for practicing.
300 $a 284 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-09(E), Section: A.
500 $a Adviser: Gary Green.
502 $a Thesis (D.M.A.)--University of Miami, 2013.
520 $a The purpose of this paper is to propose a new practice paradigm for musicians that allows them to quickly identify errors, choose the most appropriate strategy needed to help them maximize their efforts in the practice room, and also have a method that will allow the individual to see and measure their growth in an objective fashion. The researcher first reviewed the literature on practicing to distill the proven techniques. From this review, the researcher created a new practice paradigm that closely follows the current research testing method of pretest-practice-posttest provided a list of materials needed for the practice session, and a detailed explanation of how an individual should perform each step of the paradigm. After creating the paradigm, the researcher created a new purpose and hypothesis for some of the studies that he reviewed so that future researchers could easily test his model and compare it to prior researcher. Finally, the researcher gives an explanation of who can use this model.
590 $a School code: 0125.
650 4 $a Music. $3 516178
650 4 $a Education, Music. $3 1017808
690 $a 0413
690 $a 0522
710 2 $a University of Miami. $b Instrumental Performance (Music). $3 2093576
773 0 $t Dissertation Abstracts International $g 74-09A(E).
790 $a 0125
791 $a D.M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3563657