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Cross-cultural musical simulations: ...

Hill-Cantey, Melanie.

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Cross-cultural musical simulations: Taking techno back.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Cross-cultural musical simulations: Taking techno back./
Author:	Hill-Cantey, Melanie.
Description:	112 p.
Notes:	Source: Masters Abstracts International, Volume: 52-04.
Contained By:	Masters Abstracts International52-04(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1524662
ISBN:	9781303567322

Cross-cultural musical simulations: Taking techno back.
Hill-Cantey, Melanie.

Cross-cultural musical simulations: Taking techno back. - 112 p.

Source: Masters Abstracts International, Volume: 52-04.

Thesis (M.A.)--Long Island University, The Brooklyn Center, 2013.

House music is a percussion driven music genre that has achieved world-wide acclaim. It is a phenomenal and distinguished sound descending from indigenous African musical aesthetics such as danceable polyrhythms, and it was born in the modern American "underground" music scene. House music laid the foundation for Electronic Dance Music (EDM), a mega-genre that has gained unforeseen popularity all over Europe and America. Non-Western cultural and ethnic musics from around the globe have also been infused with the driving enchanting polyrhythms of House music creating hundreds of subgenres. The Tribal House and African House subgenres for example have appealed to the masses enabling them to re-connect to each other as human beings with unifying roots in Africa, regardless of race, hybrid identity, or territorial boundaries. Technological advancements have enabled wider access to cultural forms via the world-wide web and social media. The musical landscape in our globalized society has changed to suit an international audience, and new types of cultural exchanges, including the borrowing of styles, shape our musical future. All kinds of cultural music have been appropriated throughout history, but in the information age, informed decisions should be made on how to utilize cultural artifacts in a way that celebrates and preserves our histories and cultural diversity, rather than conform to one fabricated and indistinguishable global identity. Cross-cultural simulations in music (the "borrowing" of musical styles across ethnic and cultural boundaries) have accelerated exponentially in the last 20 years due to advances in music production and distribution technologies. This phenomenon has obscured distinctive cultural music styles, decreased the number of diverse genres, and detracts value from traditional meaning in cultural art.

ISBN: 9781303567322Subjects--Topical Terms:

516178
Music.

Cross-cultural musical simulations: Taking techno back.
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520 $a House music is a percussion driven music genre that has achieved world-wide acclaim. It is a phenomenal and distinguished sound descending from indigenous African musical aesthetics such as danceable polyrhythms, and it was born in the modern American "underground" music scene. House music laid the foundation for Electronic Dance Music (EDM), a mega-genre that has gained unforeseen popularity all over Europe and America. Non-Western cultural and ethnic musics from around the globe have also been infused with the driving enchanting polyrhythms of House music creating hundreds of subgenres. The Tribal House and African House subgenres for example have appealed to the masses enabling them to re-connect to each other as human beings with unifying roots in Africa, regardless of race, hybrid identity, or territorial boundaries. Technological advancements have enabled wider access to cultural forms via the world-wide web and social media. The musical landscape in our globalized society has changed to suit an international audience, and new types of cultural exchanges, including the borrowing of styles, shape our musical future. All kinds of cultural music have been appropriated throughout history, but in the information age, informed decisions should be made on how to utilize cultural artifacts in a way that celebrates and preserves our histories and cultural diversity, rather than conform to one fabricated and indistinguishable global identity. Cross-cultural simulations in music (the "borrowing" of musical styles across ethnic and cultural boundaries) have accelerated exponentially in the last 20 years due to advances in music production and distribution technologies. This phenomenon has obscured distinctive cultural music styles, decreased the number of diverse genres, and detracts value from traditional meaning in cultural art.
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