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Human Figure of Furniture.

Park, Keun Ho Peter.

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Human Figure of Furniture.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Human Figure of Furniture./
Author:	Park, Keun Ho Peter.
Description:	17 p.
Notes:	Source: Masters Abstracts International, Volume: 52-01.
Contained By:	Masters Abstracts International52-01(E).
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1541420
ISBN:	9781303239830

Human Figure of Furniture.
Park, Keun Ho Peter.

Human Figure of Furniture. - 17 p.

Source: Masters Abstracts International, Volume: 52-01.

Thesis (M.F.A.)--Rochester Institute of Technology, 2013.

My thesis draws inspiration from three distinct sources---the functional aspect of an object providing sensual experience, the sculptural quality produced by a personal aesthetic and technical consideration from the maker's perspective. My creative process involves finding a balance between these three considerations. The choice of wood as the primary material plays a decisive role in providing the sensual experience and visual effect for the work.

ISBN: 9781303239830Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Human Figure of Furniture.
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008 150210s2013 ||||||||||||||||| ||eng d
020 $a 9781303239830
035 $a (MiAaPQ)AAI1541420
035 $a AAI1541420
040 $a MiAaPQ $c MiAaPQ
100 1 $a Park, Keun Ho Peter. $3 2093323
245 1 0 $a Human Figure of Furniture.
300 $a 17 p.
500 $a Source: Masters Abstracts International, Volume: 52-01.
500 $a Adviser: Richard Tannen.
502 $a Thesis (M.F.A.)--Rochester Institute of Technology, 2013.
520 $a My thesis draws inspiration from three distinct sources---the functional aspect of an object providing sensual experience, the sculptural quality produced by a personal aesthetic and technical consideration from the maker's perspective. My creative process involves finding a balance between these three considerations. The choice of wood as the primary material plays a decisive role in providing the sensual experience and visual effect for the work.
520 $a Smooth wooden surfaces provide sensory enjoyment and warmth, especially on types of furniture that involve intimate body contact such as a chair, bench, or even stair railing. This kind of distinctly human interaction naturally leads me to associate wood with human skin. Additionally, the forms that I create with wood relate to my interest in the beauty of the human body and the significance of human musculature.
520 $a The study based on these qualities became abstracted organic forms resulting from the consideration of a construction strategy and possible uses of the form. In the process of creating these organic forms using wood as the building material, I encountered various technical challenges. The problem solving process began with researching existing construction methods while considering the best way to achieve both rigidity and practicality. Consideration also had to be given to the most efficient use of the material.
520 $a During the making process, as I interacted with each piece, constant intuitive decision-making and improvisation provided unexpected discoveries that were based on my personality and personal experience. Through this process, the unexposed yet undeniable parts of myself were revealed.
590 $a School code: 0465.
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0389
710 2 $a Rochester Institute of Technology. $b Wood Working and Furniture Design. $3 2093324
773 0 $t Masters Abstracts International $g 52-01(E).
790 $a 0465
791 $a M.F.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1541420