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On Familiarity and Defamiliarization...

Anderson, Maureen Jolie.

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On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss./
Author:	Anderson, Maureen Jolie.
Description:	69 p.
Notes:	Source: Masters Abstracts International, Volume: 51-06.
Contained By:	Masters Abstracts International51-06(E).
Subject:	Cinema. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538754
ISBN:	9781303126970

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.
Anderson, Maureen Jolie.

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. - 69 p.

Source: Masters Abstracts International, Volume: 51-06.

Thesis (M.A.)--State University of New York at Albany, 2013.

The text presented here is a study of the editing and appropriation techniques of three constructivist films and their affect on narrative: Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. An analysis of these techniques is done through the lens of the Russian Formalists, Victor Shklovsky and Mikhail Bakhtin and their respective concepts of defamiliarization and familiarization. Attention is paid to formal analysis in relation to historical context.

ISBN: 9781303126970Subjects--Topical Terms:

854529
Cinema.

On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.
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020 $a 9781303126970
035 $a (MiAaPQ)AAI1538754
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040 $a MiAaPQ $c MiAaPQ
100 1 $a Anderson, Maureen Jolie. $3 2093286
245 1 0 $a On Familiarity and Defamiliarization in the Use of Appropriated Material in Film, and Its Consequences on Narration: A study of Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss.
300 $a 69 p.
500 $a Source: Masters Abstracts International, Volume: 51-06.
500 $a Adviser: Langdon Brown.
502 $a Thesis (M.A.)--State University of New York at Albany, 2013.
520 $a The text presented here is a study of the editing and appropriation techniques of three constructivist films and their affect on narrative: Artavazd Peleshian's Our Century, Johan Grimonprez's dial H-I-S-T-O-R-Y and Adam Curtis' It Felt Like a Kiss. An analysis of these techniques is done through the lens of the Russian Formalists, Victor Shklovsky and Mikhail Bakhtin and their respective concepts of defamiliarization and familiarization. Attention is paid to formal analysis in relation to historical context.
590 $a School code: 0668.
650 4 $a Cinema. $3 854529
650 4 $a History, Russian and Soviet. $3 1032239
650 4 $a Literature, Modern. $3 624011
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710 2 $a State University of New York at Albany. $b English. $3 1679676
773 0 $t Masters Abstracts International $g 51-06(E).
790 $a 0668
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538754