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Performance rights in sound recordin...

Wright-Harmon, Joy.

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Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists./
Author:	Wright-Harmon, Joy.
Description:	74 p.
Notes:	Source: Masters Abstracts International, Volume: 51-03.
Contained By:	Masters Abstracts International51-03(E).
Subject:	Mass Communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1521510
ISBN:	9781267779151

Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists.
Wright-Harmon, Joy.

Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists. - 74 p.

Source: Masters Abstracts International, Volume: 51-03.

Thesis (M.S.)--University of North Texas, 2012.

The original works of copyright holders included tangible creations, as music written on a page, thereby, extending copyright protection to songwriters and music publishers. Until 1995, absent from U.S. copyright law was protection for copyright owners of intangible sound recordings. The Performance Rights Act (PRA) seeks to amend the US copyright law in order to grant copyright holders of sound recordings the right to performance royalties from terrestrial broadcast radio. If passed, the legislation would be unprecedented in the United States. The PRA has implications for broadcast radio, record labels, and performing artists. This study includes historical and legal perspective of previous attempts at legislation of this nature and predicts outcomes of current legislation.

ISBN: 9781267779151Subjects--Topical Terms:

1017395
Mass Communications.

Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists.
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245 1 0 $a Performance rights in sound recordings: The impact of the Performance Rights Act on radio, records, and performing artists.
300 $a 74 p.
500 $a Source: Masters Abstracts International, Volume: 51-03.
500 $a Adviser: Alan Albarran.
502 $a Thesis (M.S.)--University of North Texas, 2012.
520 $a The original works of copyright holders included tangible creations, as music written on a page, thereby, extending copyright protection to songwriters and music publishers. Until 1995, absent from U.S. copyright law was protection for copyright owners of intangible sound recordings. The Performance Rights Act (PRA) seeks to amend the US copyright law in order to grant copyright holders of sound recordings the right to performance royalties from terrestrial broadcast radio. If passed, the legislation would be unprecedented in the United States. The PRA has implications for broadcast radio, record labels, and performing artists. This study includes historical and legal perspective of previous attempts at legislation of this nature and predicts outcomes of current legislation.
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650 4 $a Mass Communications. $3 1017395
650 4 $a Intellectual Property. $3 782112
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