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Aestheticized economies and administ...

Flyntz, Elizabeth.

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Aestheticized economies and administrated art.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Aestheticized economies and administrated art./
Author:	Flyntz, Elizabeth.
Description:	70 p.
Notes:	Source: Masters Abstracts International, Volume: 51-01.
Contained By:	Masters Abstracts International51-01(E).
Subject:	Art Criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1514367
ISBN:	9781267457066

Aestheticized economies and administrated art.
Flyntz, Elizabeth.

Aestheticized economies and administrated art. - 70 p.

Source: Masters Abstracts International, Volume: 51-01.

Thesis (M.F.A.)--State University of New York at Buffalo, 2012.

The seemingly disparate worlds of economics and generosity are meeting in new forms of art making and cultural production. These forms combine the alternative and resistant economic models of utopian communities with productive methods borrowed from recent network-based, relational, or social-performance art.

ISBN: 9781267457066Subjects--Topical Terms:

637082
Art Criticism.

Aestheticized economies and administrated art.
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020 $a 9781267457066
035 $a (MiAaPQ)AAI1514367
035 $a AAI1514367
040 $a MiAaPQ $c MiAaPQ
100 1 $a Flyntz, Elizabeth. $3 2093252
245 1 0 $a Aestheticized economies and administrated art.
300 $a 70 p.
500 $a Source: Masters Abstracts International, Volume: 51-01.
500 $a Adviser: Tony Conrad.
502 $a Thesis (M.F.A.)--State University of New York at Buffalo, 2012.
520 $a The seemingly disparate worlds of economics and generosity are meeting in new forms of art making and cultural production. These forms combine the alternative and resistant economic models of utopian communities with productive methods borrowed from recent network-based, relational, or social-performance art.
520 $a This thesis looks at two representative collective cultural producers engaged in the creation of new economic structures. Chicago's InCUBATE eschews the non-profit model, and instead uses a democratic franchised voting model (Sunday Soup) to make micro-grants to a variety of local artists. New York's e-flux produced a currency-free network model (time/bank) to enable goods and services trading between art workers. These groups are discussed in terms of their relationship to a genealogy of conceptual art and immateriality, as well their connection to gift economies, internet culture, networks and administration.
520 $a This inquiry is intended to provide insights and raise questions regarding intentions and outcomes of producing, promoting, and using emergent economic structures as both funding alternative and aesthetic practice.
590 $a School code: 0656.
650 4 $a Art Criticism. $3 637082
650 4 $a Fine Arts. $3 891065
690 $a 0365
690 $a 0357
710 2 $a State University of New York at Buffalo. $b Media Study. $3 1020354
773 0 $t Masters Abstracts International $g 51-01(E).
790 $a 0656
791 $a M.F.A.
792 $a 2012
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1514367