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Sounding New Media = Immersion and E...

Dyson, Frances.

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Sounding New Media = Immersion and Embodiment in the Arts and Culture.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sounding New Media/
Reminder of title:	Immersion and Embodiment in the Arts and Culture.
Author:	Dyson, Frances.
Published:	CA :University of California Press, : 2009.,
Description:	1 online resource (260 p.)
[NT 15003449]:	Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index.
Subject:	Virtual reality - Philosophy. -
Online resource:	http://www.jstor.org/stable/10.1525/j.ctt1pn6r1
ISBN:	9780520944848 (electronic bk.)

Sounding New Media = Immersion and Embodiment in the Arts and Culture.
Dyson, Frances.

Sounding New MediaImmersion and Embodiment in the Arts and Culture.[electronic resource] : - CA :University of California Press,2009. - 1 online resource (260 p.)

Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index.

Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em.

ISBN: 9780520944848 (electronic bk.)Subjects--Topical Terms:

2089855
Virtual reality
--Philosophy.

LC Class. No.: BD331 / .D998 2009

Dewey Class. No.: 302.23

Sounding New Media = Immersion and Embodiment in the Arts and Culture.
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008 150126s2009 cau o 000 0 eng d
020 $a 9780520944848 (electronic bk.)
020 $a 0520944844 (electronic bk.)
020 $z 9780520258983
035 $a (OCoLC)773565060
035 $a ocn773565060
040 $a EBLCP $b eng $c EBLCP $d OCLCQ $d YDXCP $d OCLCQ $d N $d JSTOR $d OCLCQ
050 4 $a BD331 $b .D998 2009
082 0 4 $a 302.23 $a 700
100 1 $a Dyson, Frances. $3 2089854
245 1 0 $a Sounding New Media $h [electronic resource] : $b Immersion and Embodiment in the Arts and Culture.
260 $a CA : $b University of California Press, $c 2009.
300 $a 1 online resource (260 p.)
505 0 $a Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index.
520 $a Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em.
588 $a Description based on print version record.
650 0 $a Virtual reality $x Philosophy. $3 2089855
650 0 $a Sounds. $3 1091439
856 4 0 $u http://www.jstor.org/stable/10.1525/j.ctt1pn6r1