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Work and leisure in late nineteenth-...

White, Claire,

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Work and leisure in late nineteenth-century French literature and visual culture : = time, politics and class /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Work and leisure in late nineteenth-century French literature and visual culture :/ Claire White.
Reminder of title:	time, politics and class /
Author:	White, Claire,
Description:	1 online resource.
[NT 15003449]:	Workers at Play in Zola's Les Rougon-Macquart -- Dominical Diversions: Laforgue on Sundays -- Beyond the Leisure Principle: Luce and Neo-Impressionism -- Work and Pleasure: Zola's Travail.
Subject:	1800 - 1899 -
Subject:	French literature - History and criticism. - 19th century -
Online resource:	http://link.springer.com/10.1057/9781137373076
ISBN:	1137373075 (electronic bk.)

Work and leisure in late nineteenth-century French literature and visual culture : = time, politics and class /
White, Claire,

Work and leisure in late nineteenth-century French literature and visual culture :time, politics and class /Claire White. - 1 online resource. - Palgrave studies in modern European literature. - Palgrave studies in modern European literature..

Includes bibliographical references and index.

Workers at Play in Zola's Les Rougon-Macquart -- Dominical Diversions: Laforgue on Sundays -- Beyond the Leisure Principle: Luce and Neo-Impressionism -- Work and Pleasure: Zola's Travail.

The language of labour and leisure politics was burned onto the social consciousness in France by the Revolution, and it would remain critical to the ideals and conflicts at stake in future moments of upheaval. In the years following the Paris Commune, the mobilisation of the workforce and the struggle for labour reforms brought centre stage questions about time, politics and individual and collective rights. Claire White's account brings late nineteenth-century literature and art into conjunction with political discourses, philosophy and the social sciences to reveal how representations of work and leisure became the vehicle for class anxieties and utopian fantasies. More than topics of cultural history, this study shows how the terms and politics of labour and leisure were fundamental to artistic self-conceptions, affecting the ways in which writers and artists understood their own cultural work. Moving between fiction, poetry and painting, this study refocuses works by the canonical writers Emile Zola and Jules Laforgue, and the long-overlooked Neo-Impressionist painter Maximilien Luce.

ISBN: 1137373075 (electronic bk.)

Source: 706640Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1800 - 1899
Subjects--Topical Terms:

615602
French literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

2020027
Criticism, interpretation, etc.

LC Class. No.: PQ281

Dewey Class. No.: 840.9/007

Work and leisure in late nineteenth-century French literature and visual culture : = time, politics and class /
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504 $a Includes bibliographical references and index.
505 0 $a Workers at Play in Zola's Les Rougon-Macquart -- Dominical Diversions: Laforgue on Sundays -- Beyond the Leisure Principle: Luce and Neo-Impressionism -- Work and Pleasure: Zola's Travail.
520 $a The language of labour and leisure politics was burned onto the social consciousness in France by the Revolution, and it would remain critical to the ideals and conflicts at stake in future moments of upheaval. In the years following the Paris Commune, the mobilisation of the workforce and the struggle for labour reforms brought centre stage questions about time, politics and individual and collective rights. Claire White's account brings late nineteenth-century literature and art into conjunction with political discourses, philosophy and the social sciences to reveal how representations of work and leisure became the vehicle for class anxieties and utopian fantasies. More than topics of cultural history, this study shows how the terms and politics of labour and leisure were fundamental to artistic self-conceptions, affecting the ways in which writers and artists understood their own cultural work. Moving between fiction, poetry and painting, this study refocuses works by the canonical writers Emile Zola and Jules Laforgue, and the long-overlooked Neo-Impressionist painter Maximilien Luce.
588 $a Description based on publisher supplied information; title not viewed.
648 7 $a 1800 - 1899 $2 fast
650 0 $a French literature $y 19th century $x History and criticism. $3 615602
650 0 $a Labor in literature. $3 1098636
650 0 $a Leisure in literature. $3 763075
650 0 $a Working class in literature. $3 581237
650 7 $a French literature. $3 644020
655 7 $a Criticism, interpretation, etc. $2 fast $3 2020027
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a Palgrave studies in modern European literature. $3 1976778
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137373076