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Television and British cinema : = co...

Andrews, Hannah,

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Television and British cinema : = convergence and divergence since 1990 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Television and British cinema :/ Hannah Andrews.
Reminder of title:	convergence and divergence since 1990 /
Author:	Andrews, Hannah,
Description:	1 online resource.
[NT 15003449]:	Introduction: The Contexts of Convergence -- 1.Film and Television Drama: The Making of a Relationship -- 2.Television as Film, Film as Television: Broadcasting cinema in the 1990s -- 3.Commercialism and Quality: Television Institutions and the British Film Industry, 1998 - 2002 -- 4.Digital Departures: Television Institutions and Low-budget Production -- 5.'Great Films You Know, Great Films You Don't': The Birth and Life of the FilmFour Digital Channel -- 6.New Logics of Convergence: Film Through Online Television -- 7.Conclusion: Convergence and Divergence Now.
Subject:	1900 - 2099 -
Subject:	Motion pictures - History - 20th century. - Great Britain -
Subject:	Great Britain. -
Online resource:	http://link.springer.com/10.1057/9781137311177
ISBN:	1137311177 (electronic bk.)

Television and British cinema : = convergence and divergence since 1990 /
Andrews, Hannah,

Television and British cinema :convergence and divergence since 1990 /Hannah Andrews. - 1 online resource.

Includes bibliographical references.

Introduction: The Contexts of Convergence -- 1.Film and Television Drama: The Making of a Relationship -- 2.Television as Film, Film as Television: Broadcasting cinema in the 1990s -- 3.Commercialism and Quality: Television Institutions and the British Film Industry, 1998 - 2002 -- 4.Digital Departures: Television Institutions and Low-budget Production -- 5.'Great Films You Know, Great Films You Don't': The Birth and Life of the FilmFour Digital Channel -- 6.New Logics of Convergence: Film Through Online Television -- 7.Conclusion: Convergence and Divergence Now.

Hannah Andrews provides a timely and thorough investigation of the changing relationship between television and cinema in Britain since 1990. She explores the process of convergence, in terms of both the intermedial relationship between closely related cultural forms, and the involvement of institutions of television in the British film industry. Rather than view convergence as a byproduct of digitalization, Andrews argues for a longer history of analogue convergence, manifested in, for example, the use of television as an alternative exhibition platform for British cinema, or the broadcast of feature-length filmed television dramas traditionally conceptualized as 'plays' rather than films. "Television and British Cinema" demonstrates how these processes of convergence have been met with equally strong rhetorical 'divergence', the use of presentational devices or discursive framing to distinguish film from television. The book discusses the role of television institutions in these processes, focusing on a period in which the relationship between film and television in the UK developed into a symbiosis.

ISBN: 1137311177 (electronic bk.)

Source: 660611Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 2099
Subjects--Topical Terms:

715443
Motion pictures
--History--Great Britain--20th century.Subjects--Geographical Terms:

700567
Great Britain.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1992.3.G7

Dewey Class. No.: 791.450941

Television and British cinema : = convergence and divergence since 1990 /
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245 1 0 $a Television and British cinema : $b convergence and divergence since 1990 / $c Hannah Andrews.
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504 $a Includes bibliographical references.
505 0 $a Introduction: The Contexts of Convergence -- 1.Film and Television Drama: The Making of a Relationship -- 2.Television as Film, Film as Television: Broadcasting cinema in the 1990s -- 3.Commercialism and Quality: Television Institutions and the British Film Industry, 1998 - 2002 -- 4.Digital Departures: Television Institutions and Low-budget Production -- 5.'Great Films You Know, Great Films You Don't': The Birth and Life of the FilmFour Digital Channel -- 6.New Logics of Convergence: Film Through Online Television -- 7.Conclusion: Convergence and Divergence Now.
520 $a Hannah Andrews provides a timely and thorough investigation of the changing relationship between television and cinema in Britain since 1990. She explores the process of convergence, in terms of both the intermedial relationship between closely related cultural forms, and the involvement of institutions of television in the British film industry. Rather than view convergence as a byproduct of digitalization, Andrews argues for a longer history of analogue convergence, manifested in, for example, the use of television as an alternative exhibition platform for British cinema, or the broadcast of feature-length filmed television dramas traditionally conceptualized as 'plays' rather than films. "Television and British Cinema" demonstrates how these processes of convergence have been met with equally strong rhetorical 'divergence', the use of presentational devices or discursive framing to distinguish film from television. The book discusses the role of television institutions in these processes, focusing on a period in which the relationship between film and television in the UK developed into a symbiosis.
588 $a Description based on publisher supplied information; title not viewed.
648 7 $a 1900 - 2099 $2 fast
650 0 $a Motion pictures $z Great Britain $x History $y 20th century. $3 715443
650 0 $a Motion pictures $z Great Britain $x History $y 21st century. $3 2078550
650 0 $a Television programs $z Great Britain. $3 722020
650 7 $a Motion pictures. $3 527819
650 7 $a Television programs. $3 605397
651 7 $a Great Britain. $3 700567
655 7 $a Electronic books. $2 lcsh $3 542853
655 7 $a History. $2 fast $3 2026783
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137311177