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Film sound in Italy : = listening to...

Sisto, Antonella C., (1975-)

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Film sound in Italy : = listening to the screen /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Film sound in Italy :/ by Antonella C. Sisto.
Reminder of title:	listening to the screen /
Author:	Sisto, Antonella C.,
Description:	1 online resource.
[NT 15003449]:	Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
Subject:	1900 - 1999 -
Subject:	Dubbing of motion pictures - Italy. -
Subject:	Italy. -
Online resource:	http://link.springer.com/10.1057/9781137387714
ISBN:	1137387718 (electronic bk.)

Film sound in Italy : = listening to the screen /
Sisto, Antonella C.,1975-

Film sound in Italy :listening to the screen /by Antonella C. Sisto. - 1 online resource.

Includes bibliographical references and index.

Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.

Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.

ISBN: 1137387718 (electronic bk.)

Source: 714692Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

2078302
Dubbing of motion pictures
--Italy.Subjects--Geographical Terms:

571066
Italy.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.7 / .S48 2014

Dewey Class. No.: 791.4302/4

Film sound in Italy : = listening to the screen /
LDR:02668cmm a2200397Ki 4500 001 1950531
003 OCoLC
005 20140910115811.0
006 m o d
007 cr cnu---unuuu
008 231227s2014 nyu obq 001 0 eng d
020 $a 1137387718 (electronic bk.)
020 $a 9781137387714 (electronic bk.)
029 1 $a NLGGC $b 375277595
035 $a (OCoLC)874835866
035 $a ocn874835866
035 $a 1950531
037 $a 714692 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d OCLCO $d OCLCA $d OCLCF
043 $a e-it---
049 $a TEFA
050 4 $a PN1995.7 $b .S48 2014
082 0 4 $a 791.4302/4 $2 23
100 1 $a Sisto, Antonella C., $d 1975- $3 2078301
245 1 0 $a Film sound in Italy : $b listening to the screen / $c by Antonella C. Sisto.
264 1 $a New York, NY : $b Palgrave Macmillan, $c 2014.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
504 $a Includes filmography.
505 0 $a Introduction -- Sounding fascism in cinema -- Dubbing in deed, and listening to dubbing -- Cinema talks: between "make believe" and schizophonia -- The soundtrack after fascism: the neorealist play without sound -- Michelangelo Antonioni, the wind is photogenic -- Pier Paolo Pasolini's thousand notes of contestation.
520 $a Considering films as audio-visual creations opens new inroads into the cultural practice, politics, and aesthetics of the soundtrack. This book is critical and trans-disciplinary engagement with cinema in Italy that examines the national archive of film based on sound and listening using a holistic audio-visual approach to film politics and practices from the coming of sound to the screen in the Fascist era, through the work of post WWII neorealist directors, to art cinema directors such as Michelangelo Antonioni and Pier Paolo Pasolini. Sisto shifts the sensory paradigm of film history and analysis from the optical to the sonic, demonstrating how this translates into a shift of canonical narratives and interpretations. Listening functions as a fundamental critical tool that permits viewers to detect the interplay of technological productions, historical contingencies, and mediations which coalesce within the political and aesthetical track of sound at the movies.
588 $a Description based on print version record.
648 7 $a 1900 - 1999 $2 fast
650 0 $a Dubbing of motion pictures $z Italy. $3 2078302
650 0 $a Motion pictures $x Political aspects $z Italy. $3 762790
650 0 $a Sound motion pictures $z Italy $x History $y 20th century. $3 2078303
650 7 $a Dubbing of motion pictures. $3 1098776
650 7 $a Motion pictures $x Political aspects. $3 552314
650 7 $a Sound motion pictures. $3 588317
651 7 $a Italy. $3 571066
655 7 $a Electronic books. $2 lcsh $3 542853
655 7 $a History. $2 fast $3 2026783
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Sisto, Antonella C., 1975- $t Film sound in Italy $z 9781137387707 $w (DLC) 2013036908 $w (OCoLC)862148884
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137387714