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Cold war rivalry and the perception ...
~
Goral, Pawel,
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Cold war rivalry and the perception of the American West /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Cold war rivalry and the perception of the American West // Pawel Goral.
Author:
Goral, Pawel,
Description:
1 online resource.
[NT 15003449]:
1.Karl May Westerns and the Conquest of the American West -- 2."Indianerfilme" and the Conquest of the American West -- 3.German Westerns: Popularity, Reception, Heroines, Miscegenation, Race, and Landscape -- 4.German Indian Heroes and Intercultural Transfer -- 5.The Quest for National Identity -- Conclusion.
Subject:
Cold War - Social aspects - Germany (East) -
Online resource:
http://link.springer.com/10.1057/9781137364302
ISBN:
1137364300 (electronic bk.)
Cold war rivalry and the perception of the American West /
Goral, Pawel,
Cold war rivalry and the perception of the American West /
Pawel Goral. - 1 online resource. - Palgrave Macmillan transnational history series. - Palgrave Macmillan transnational history series..
1.Karl May Westerns and the Conquest of the American West -- 2."Indianerfilme" and the Conquest of the American West -- 3.German Westerns: Popularity, Reception, Heroines, Miscegenation, Race, and Landscape -- 4.German Indian Heroes and Intercultural Transfer -- 5.The Quest for National Identity -- Conclusion.
This book demonstrates how the two adversaries of the Cold War, West Germany and East Germany, endeavored to create two distinct and unique German identities. This proved to be a complicated process whereby two newly created German states chose myths from another country located in another hemisphere to come to terms with their own recent past and articulate a vision for a better future. Amidst the Cold War rivalry and in facing the troubling Nazi past, Karl May Westerns became the quintessence of the German Western tradition and provided essential understanding of German-Indian relations. Furthermore, the production of Karl May films instantaneously triggered the production of Westerns in East Germany which proved tremendously popular. In their endeavor to claim legitimacy, the German cinematic representation of the American West became an important cultural weapon of mass dissemination during the Cold War. While attempting to portray what it meant to be German, the competition between the two German states resulted in the creation of transnational productions, with transnational heroes, in a transnational setting, eagerly embraced on both sides of the Iron Curtain as their own.
ISBN: 1137364300 (electronic bk.)
Source: 700025Palgrave Macmillanhttp://www.palgraveconnect.com
Nat. Bib. Agency Control No.: 016662744UkSubjects--Topical Terms:
2078279
Cold War
--Social aspects--Germany (East)Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.T6855
Dewey Class. No.: 302.23/43
Cold war rivalry and the perception of the American West /
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1.Karl May Westerns and the Conquest of the American West -- 2."Indianerfilme" and the Conquest of the American West -- 3.German Westerns: Popularity, Reception, Heroines, Miscegenation, Race, and Landscape -- 4.German Indian Heroes and Intercultural Transfer -- 5.The Quest for National Identity -- Conclusion.
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This book demonstrates how the two adversaries of the Cold War, West Germany and East Germany, endeavored to create two distinct and unique German identities. This proved to be a complicated process whereby two newly created German states chose myths from another country located in another hemisphere to come to terms with their own recent past and articulate a vision for a better future. Amidst the Cold War rivalry and in facing the troubling Nazi past, Karl May Westerns became the quintessence of the German Western tradition and provided essential understanding of German-Indian relations. Furthermore, the production of Karl May films instantaneously triggered the production of Westerns in East Germany which proved tremendously popular. In their endeavor to claim legitimacy, the German cinematic representation of the American West became an important cultural weapon of mass dissemination during the Cold War. While attempting to portray what it meant to be German, the competition between the two German states resulted in the creation of transnational productions, with transnational heroes, in a transnational setting, eagerly embraced on both sides of the Iron Curtain as their own.
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http://link.springer.com/10.1057/9781137364302
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W9248111
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EB PN1995.9.T6855
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