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British novelists in Hollywood, 1935...
~
Colletta, Lisa,
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British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats /
Record Type:
Electronic resources : Monograph/item
Title/Author:
British novelists in Hollywood, 1935-1965 :/ by Lisa Colletta.
Reminder of title:
travelers, exiles, and expats /
Author:
Colletta, Lisa,
Description:
1 online resource.
[NT 15003449]:
Introduction: The British in Hollywood: travelers, exiles, and expats -- Movies and the lure of Hollywood -- Hollywood architecture and the technicolor landscape -- Forest Lawn, Hollywood, and the American way of dying -- Movie stars and celebrity -- British Hollywood fiction.
Subject:
Authors, English. -
Subject:
Hollywood (Los Angeles, Calif.) -
Online resource:
http://link.springer.com/10.1057/9781137380760
ISBN:
1137380764 (electronic bk.)
British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats /
Colletta, Lisa,
British novelists in Hollywood, 1935-1965 :
travelers, exiles, and expats /by Lisa Colletta. - 1 online resource.
Includes bibliographical references and index.
Introduction: The British in Hollywood: travelers, exiles, and expats -- Movies and the lure of Hollywood -- Hollywood architecture and the technicolor landscape -- Forest Lawn, Hollywood, and the American way of dying -- Movie stars and celebrity -- British Hollywood fiction.
Was early Hollywood, with its celluloid dreams and theme-park cemeteries, the beginning of the end of the Western humanist tradition? "British Novelists in Hollywood" calls attention to the shifting grounds of cultural expression by highlighting Hollywood as a site that unsettled definitions and narratives of colonialism and national identity. Drawn to Los Angeles for a variety of reasons that included everything from easy money, political disaffection, spiritual longing, and the Mediterranean climate, writers such as Aldous Huxley, Christopher Isherwood, Anthony Powell, J.B Priestly, Dodie Smith and Evelyn Waugh, and P.G. Wodehouse represent an incursion of expert settlers representing British culture and civilization. But instead of establishing themselves once again with a mission of colonial superiority, they soon found that their cultural power clashed with the commercially inviolable mass production of American popular culture. Lisa Colletta argues that the British experience in Southern California challenged traditional ideas of national identity and power and implicated them in a complex of choices and influences filtered through the Hollywood dream machine.
ISBN: 1137380764 (electronic bk.)
Source: 710983Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
680446
Authors, English.
Subjects--Geographical Terms:
587060
Hollywood (Los Angeles, Calif.)
Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR885 / .C65 2013
Dewey Class. No.: 823/.9109
British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats /
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Introduction: The British in Hollywood: travelers, exiles, and expats -- Movies and the lure of Hollywood -- Hollywood architecture and the technicolor landscape -- Forest Lawn, Hollywood, and the American way of dying -- Movie stars and celebrity -- British Hollywood fiction.
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Was early Hollywood, with its celluloid dreams and theme-park cemeteries, the beginning of the end of the Western humanist tradition? "British Novelists in Hollywood" calls attention to the shifting grounds of cultural expression by highlighting Hollywood as a site that unsettled definitions and narratives of colonialism and national identity. Drawn to Los Angeles for a variety of reasons that included everything from easy money, political disaffection, spiritual longing, and the Mediterranean climate, writers such as Aldous Huxley, Christopher Isherwood, Anthony Powell, J.B Priestly, Dodie Smith and Evelyn Waugh, and P.G. Wodehouse represent an incursion of expert settlers representing British culture and civilization. But instead of establishing themselves once again with a mission of colonial superiority, they soon found that their cultural power clashed with the commercially inviolable mass production of American popular culture. Lisa Colletta argues that the British experience in Southern California challenged traditional ideas of national identity and power and implicated them in a complex of choices and influences filtered through the Hollywood dream machine.
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http://link.springer.com/10.1057/9781137380760
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W9247806
電子資源
11.線上閱覽_V
電子書
EB PR885 .C65 2013
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