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Storytelling : = Critical and Creati...

Kelly, Philippa,

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Storytelling : = Critical and Creative Approaches /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Storytelling :/ edited by Jan Shaw, University of Sydney, Australia ; Philippa Kelly, University of California, Berkeley and L.E. Semler, University of Sydney, Australia.
Reminder of title:	Critical and Creative Approaches /
other author:	Kelly, Philippa,
Description:	1 online resource.
[NT 15003449]:	Introduction Story Streams: Stories and their Tellers; Jan Shaw -- PART I: INDIGENOUS STORIES -- 1. The State of the Nation's Narratives; Witi Ihimaera -- 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa -- 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay -- 4. Mother Stories: The Woman Myth in "By the Bog of Cats" and "Tea in a China Cup"; Kristen Liesch -- 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: "Une Saison de Machetes" ("Machete Season") by Jean Hatzfeld; Narelle Fletcher -- PART II: FICTIONAL HISTORY AND HISTORICAL FICTION -- 6. Transnational Glamour, National Allure: Community, Change and Clicȟ in Baz Luhrmann's "Australia"; Meaghan Morris -- 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall -- 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney -- 9. "No Man's Land": A Revisionist Story of the Cyprus Problem; Irini Savvides -- 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill -- PART III: THE SEA OF STORIES -- 11. Shakespeare and the Sea of Stories; Mark Houlahan -- 12. Reading Chaucer 'in Parts': "The Knight's Tale" and "The Two Noble Kinsmen"; Margaret Rogerson -- 13. What Women Want: The Shrew's Story; Philippa Kelly -- 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler -- 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady -- 16. The Tale of Melusine in A. S. Byatt's "Possession": Retelling Medieval Stories; Jan Shaw -- PART IV: CRITICAL CREATIVITY -- 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie -- 18. Paul Auster's Storytelling in "Invisible": The Pleasures of Postmodernity; Rosemary Huisman -- 19. Emotional Rhythm; Ian David -- 20. Rogues: A Speculation; Sue Woolfe -- 21. What Would Happen If ...? A Semi-Memoir of a Semi-Philosophical Musician and Sometime Carpenter; Paul Dresher.
Subject:	Authorship. -
Online resource:	http://link.springer.com/10.1057/9781137349958
ISBN:	1137349956 (electronic bk.)

Storytelling : = Critical and Creative Approaches /
Storytelling :Critical and Creative Approaches /edited by Jan Shaw, University of Sydney, Australia ; Philippa Kelly, University of California, Berkeley and L.E. Semler, University of Sydney, Australia. - 1 online resource.

Includes bibliographical references and index.

Introduction Story Streams: Stories and their Tellers; Jan Shaw -- PART I: INDIGENOUS STORIES -- 1. The State of the Nation's Narratives; Witi Ihimaera -- 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa -- 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay -- 4. Mother Stories: The Woman Myth in "By the Bog of Cats" and "Tea in a China Cup"; Kristen Liesch -- 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: "Une Saison de Machetes" ("Machete Season") by Jean Hatzfeld; Narelle Fletcher -- PART II: FICTIONAL HISTORY AND HISTORICAL FICTION -- 6. Transnational Glamour, National Allure: Community, Change and Clicȟ in Baz Luhrmann's "Australia"; Meaghan Morris -- 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall -- 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney -- 9. "No Man's Land": A Revisionist Story of the Cyprus Problem; Irini Savvides -- 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill -- PART III: THE SEA OF STORIES -- 11. Shakespeare and the Sea of Stories; Mark Houlahan -- 12. Reading Chaucer 'in Parts': "The Knight's Tale" and "The Two Noble Kinsmen"; Margaret Rogerson -- 13. What Women Want: The Shrew's Story; Philippa Kelly -- 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler -- 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady -- 16. The Tale of Melusine in A. S. Byatt's "Possession": Retelling Medieval Stories; Jan Shaw -- PART IV: CRITICAL CREATIVITY -- 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie -- 18. Paul Auster's Storytelling in "Invisible": The Pleasures of Postmodernity; Rosemary Huisman -- 19. Emotional Rhythm; Ian David -- 20. Rogues: A Speculation; Sue Woolfe -- 21. What Would Happen If ...? A Semi-Memoir of a Semi-Philosophical Musician and Sometime Carpenter; Paul Dresher.

In "Storytelling: Critical and Creative Approaches" award-winning creative artists and scholars explore the power and complexity of stories in a variety of genres and cultures. Storytelling is of crucial importance to narratives of post-coloniality, gender, history, social status and nationhood. This collection of analytical and reflective pieces demonstrates the fundamental role played by imagination in the production and contestation of culture. The writers show how personal and public truths are manufactured, modified and undone through processes of narrativization and storytelling.

ISBN: 1137349956 (electronic bk.)

Source: 687566Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

529425
Authorship.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN56.S7357 / S76 2013

Dewey Class. No.: 809/.93353

Storytelling : = Critical and Creative Approaches /
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245 0 0 $a Storytelling : $b Critical and Creative Approaches / $c edited by Jan Shaw, University of Sydney, Australia ; Philippa Kelly, University of California, Berkeley and L.E. Semler, University of Sydney, Australia.
264 1 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Introduction Story Streams: Stories and their Tellers; Jan Shaw -- PART I: INDIGENOUS STORIES -- 1. The State of the Nation's Narratives; Witi Ihimaera -- 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa -- 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay -- 4. Mother Stories: The Woman Myth in "By the Bog of Cats" and "Tea in a China Cup"; Kristen Liesch -- 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: "Une Saison de Machetes" ("Machete Season") by Jean Hatzfeld; Narelle Fletcher -- PART II: FICTIONAL HISTORY AND HISTORICAL FICTION -- 6. Transnational Glamour, National Allure: Community, Change and Clicȟ in Baz Luhrmann's "Australia"; Meaghan Morris -- 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall -- 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney -- 9. "No Man's Land": A Revisionist Story of the Cyprus Problem; Irini Savvides -- 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill -- PART III: THE SEA OF STORIES -- 11. Shakespeare and the Sea of Stories; Mark Houlahan -- 12. Reading Chaucer 'in Parts': "The Knight's Tale" and "The Two Noble Kinsmen"; Margaret Rogerson -- 13. What Women Want: The Shrew's Story; Philippa Kelly -- 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler -- 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady -- 16. The Tale of Melusine in A. S. Byatt's "Possession": Retelling Medieval Stories; Jan Shaw -- PART IV: CRITICAL CREATIVITY -- 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie -- 18. Paul Auster's Storytelling in "Invisible": The Pleasures of Postmodernity; Rosemary Huisman -- 19. Emotional Rhythm; Ian David -- 20. Rogues: A Speculation; Sue Woolfe -- 21. What Would Happen If ...? A Semi-Memoir of a Semi-Philosophical Musician and Sometime Carpenter; Paul Dresher.
520 $a In "Storytelling: Critical and Creative Approaches" award-winning creative artists and scholars explore the power and complexity of stories in a variety of genres and cultures. Storytelling is of crucial importance to narratives of post-coloniality, gender, history, social status and nationhood. This collection of analytical and reflective pieces demonstrates the fundamental role played by imagination in the production and contestation of culture. The writers show how personal and public truths are manufactured, modified and undone through processes of narrativization and storytelling.
588 $a Description based on print version record.
650 0 $a Authorship. $3 529425
650 0 $a Storytelling in literature. $3 732285
650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Literary $2 bisacsh $3 1598862
655 4 $a Electronic books. $2 lcsh $3 542853
700 1 $a Kelly, Philippa, $e editor of compilation. $3 3648372
700 1 $a Semler, L. E., $e editor of compilation. $3 3648373
700 1 $a Shaw, Jan, $e editor of compilation. $3 3648374
776 $6 765634 $t Storytelling
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137349958