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Understanding blackness through perf...

Crémieux, Anne

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Understanding blackness through performance : = contemporary arts and the representation of identity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Understanding blackness through performance :/ edited by Anne Crémieux, Xavier Lemoine, and Jean-Paul Rocchi.
Reminder of title:	contemporary arts and the representation of identity /
other author:	Crémieux, Anne
Description:	1 online resource.
[NT 15003449]:	Introduction. Black beings, black embodyings: notes on contemporary artistic performances and their cultural interpretations / Jean-Paul Rocchi with Anne Crémieux and Xavier Lemoine -- Black being, black embodying: the power of auto-ethnography. Each taking risk, performing self: theorizing (dis)narratives / Myron Beasley -- Transformative womanist rhetorical strategies: contextualizing discourse and the performance of black bodies of desire / Toniesha L. Taylor -- "Is anybody walkin"?: the black body on the runway as a performance of the politics of desire / Gayle Baldwin -- Shattered frames and the onlooker: strategies and significations. Transgressive (re)presentations: black women, vaudeville and the politics of performance in early trans-Atlantic theatre/ Zakiya R. Adair -- Kara Walker's War on racism: mining (mis)representations of blackness / Vanina Gere -- Between Mumblecore and post-black Aesthetics: Barry Jenkins's Medicine for melancholy / Simon Dickel -- From book to film: desire in Precious (Lee Daniels, 2009), adapted from Push by Sapphire (1995) / Anne Crémieux -- Through performance: desire and the black subject. Black queer studies, freedom and other human possibilities / Rinaldo Walcott -- About face, or, what is this "back" in b(l)ack popular culture?: from Venus Hottentot to video hottie / Mae G. Henderson -- Margin me: intentional marginality in the queered borderlands of hiphop / Stephany Spaulding -- Shifting paradigms of identities. Sculpting black queer bodies and desires: the case of Richmond Barth / James Smalls -- I am not a race man: racial uplift and the post-black aesthetic in Percival Everett's I am not Sidney Poitier / Kristin Leigh Moriah -- Embodying hybridity: Anna Deavere Smith's identity cross-overs / Xavier Lemoine.
Subject:	Blacks in the performing arts. -
Online resource:	http://link.springer.com/10.1057/9781137313805
ISBN:	1137313803 (electronic bk.)

Understanding blackness through performance : = contemporary arts and the representation of identity /
Understanding blackness through performance :contemporary arts and the representation of identity /edited by Anne Crémieux, Xavier Lemoine, and Jean-Paul Rocchi. - 1 online resource.

Includes bibliographical references and index.

Introduction. Black beings, black embodyings: notes on contemporary artistic performances and their cultural interpretations / Jean-Paul Rocchi with Anne Crémieux and Xavier Lemoine -- Black being, black embodying: the power of auto-ethnography. Each taking risk, performing self: theorizing (dis)narratives / Myron Beasley -- Transformative womanist rhetorical strategies: contextualizing discourse and the performance of black bodies of desire / Toniesha L. Taylor -- "Is anybody walkin"?: the black body on the runway as a performance of the politics of desire / Gayle Baldwin -- Shattered frames and the onlooker: strategies and significations. Transgressive (re)presentations: black women, vaudeville and the politics of performance in early trans-Atlantic theatre/ Zakiya R. Adair -- Kara Walker's War on racism: mining (mis)representations of blackness / Vanina Gere -- Between Mumblecore and post-black Aesthetics: Barry Jenkins's Medicine for melancholy / Simon Dickel -- From book to film: desire in Precious (Lee Daniels, 2009), adapted from Push by Sapphire (1995) / Anne Crémieux -- Through performance: desire and the black subject. Black queer studies, freedom and other human possibilities / Rinaldo Walcott -- About face, or, what is this "back" in b(l)ack popular culture?: from Venus Hottentot to video hottie / Mae G. Henderson -- Margin me: intentional marginality in the queered borderlands of hiphop / Stephany Spaulding -- Shifting paradigms of identities. Sculpting black queer bodies and desires: the case of Richmond Barth / James Smalls -- I am not a race man: racial uplift and the post-black aesthetic in Percival Everett's I am not Sidney Poitier / Kristin Leigh Moriah -- Embodying hybridity: Anna Deavere Smith's identity cross-overs / Xavier Lemoine.

How does the performance of blackness reframe issues of race, class, gender, and sexuality? Resistance and redeployment strategies inform the world of black theatre, performance, and theory, generating a multiplicity of positions from an intersectional perspective. Here, the contributors look into representational practices in film, music, literature, sculpture, video, vaudeville, fashion, and theatre and explore how they have fleshed out political struggles, while recognizing that they have sometimes maintained the mechanisms of violence against blacks. These practices have opened up new territories that require scrutiny today.

ISBN: 1137313803 (electronic bk.)

Source: 656054Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

2076592
Blacks in the performing arts.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1590.B53 / U53 2013

Dewey Class. No.: 792.089/96073

Understanding blackness through performance : = contemporary arts and the representation of identity /
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037 $a 656054 $b Palgrave Macmillan $n http://www.palgraveconnect.com
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245 0 0 $a Understanding blackness through performance : $b contemporary arts and the representation of identity / $c edited by Anne Crémieux, Xavier Lemoine, and Jean-Paul Rocchi.
264 1 $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Introduction. Black beings, black embodyings: notes on contemporary artistic performances and their cultural interpretations / Jean-Paul Rocchi with Anne Crémieux and Xavier Lemoine -- Black being, black embodying: the power of auto-ethnography. Each taking risk, performing self: theorizing (dis)narratives / Myron Beasley -- Transformative womanist rhetorical strategies: contextualizing discourse and the performance of black bodies of desire / Toniesha L. Taylor -- "Is anybody walkin"?: the black body on the runway as a performance of the politics of desire / Gayle Baldwin -- Shattered frames and the onlooker: strategies and significations. Transgressive (re)presentations: black women, vaudeville and the politics of performance in early trans-Atlantic theatre/ Zakiya R. Adair -- Kara Walker's War on racism: mining (mis)representations of blackness / Vanina Gere -- Between Mumblecore and post-black Aesthetics: Barry Jenkins's Medicine for melancholy / Simon Dickel -- From book to film: desire in Precious (Lee Daniels, 2009), adapted from Push by Sapphire (1995) / Anne Crémieux -- Through performance: desire and the black subject. Black queer studies, freedom and other human possibilities / Rinaldo Walcott -- About face, or, what is this "back" in b(l)ack popular culture?: from Venus Hottentot to video hottie / Mae G. Henderson -- Margin me: intentional marginality in the queered borderlands of hiphop / Stephany Spaulding -- Shifting paradigms of identities. Sculpting black queer bodies and desires: the case of Richmond Barth / James Smalls -- I am not a race man: racial uplift and the post-black aesthetic in Percival Everett's I am not Sidney Poitier / Kristin Leigh Moriah -- Embodying hybridity: Anna Deavere Smith's identity cross-overs / Xavier Lemoine.
520 $a How does the performance of blackness reframe issues of race, class, gender, and sexuality? Resistance and redeployment strategies inform the world of black theatre, performance, and theory, generating a multiplicity of positions from an intersectional perspective. Here, the contributors look into representational practices in film, music, literature, sculpture, video, vaudeville, fashion, and theatre and explore how they have fleshed out political struggles, while recognizing that they have sometimes maintained the mechanisms of violence against blacks. These practices have opened up new territories that require scrutiny today.
588 $a Description based on print version record.
650 0 $a Blacks in the performing arts. $3 2076592
650 0 $a Blacks $x Race identity. $3 558685
650 0 $a Race awareness. $3 528870
650 7 $a PERFORMING ARTS / Theater / General $2 bisacsh $3 1598843
655 0 $a Electronic books. $2 lcsh $3 542853
700 1 $a Crémieux, Anne $e editor of compilation. $3 3648046
700 1 $a Lemoine, Xavier $e editor of compilation. $3 3648047
700 1 $a Rocchi, Jean-Paul $e editor of compilation. $3 3648048
776 0 8 $i Print version: $t Understanding blackness through performance $z 9781137325075 $w (DLC) 2013019245 $w (OCoLC)846912088
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137313805