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Visual peace : = images, spectatorsh...

Möller, Frank, (1963-)

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Visual peace : = images, spectatorship, and the politics of violence /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Visual peace :/ Frank Möller.
Reminder of title:	images, spectatorship, and the politics of violence /
Author:	Möller, Frank,
Description:	1 online resource.
[NT 15003449]:	Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
Subject:	Documentary photography - Political aspects. -
Online resource:	http://link.springer.com/10.1057/9781137020406
ISBN:	1137020407 (electronic bk.)

Visual peace : = images, spectatorship, and the politics of violence /
Möller, Frank,1963-

Visual peace :images, spectatorship, and the politics of violence /Frank Möller. - 1 online resource.

Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.

"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--

ISBN: 1137020407 (electronic bk.)Subjects--Topical Terms:

2076502
Documentary photography
--Political aspects.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: HM1116 / .M655 2013

Dewey Class. No.: 700/.4552

Visual peace : = images, spectatorship, and the politics of violence /
LDR:02712cmm a2200361Ii 4500 001 1949878
003 OCoLC
005 20140910115742.0
006 m o d
007 cr cnu---unuuu
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020 $a 1137020407 (electronic bk.)
020 $a 9781137020406 (electronic bk.)
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035 $a (OCoLC)862740680
035 $a ocn862740680
035 $a 1949878
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050 4 $a HM1116 $b .M655 2013
072 7 $a ART $x 025000 $2 bisacsh
072 7 $a ART $x 060000 $2 bisacsh
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100 1 $a Möller, Frank, $d 1963- $e author. $3 3648010
245 1 0 $a Visual peace : $b images, spectatorship, and the politics of violence / $c Frank Möller.
264 1 $a Houndmills, Basingstoke, Hampshire ; $a New York, NY : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
505 0 $a Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes --.
520 $a "This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Documentary photography $x Political aspects. $3 2076502
650 0 $a Violence in art. $3 755511
650 0 $a Violence $x Political aspects. $3 1099482
650 0 $a Visual communication $x Political aspects. $3 2076503
650 7 $a ART / Art & Politics. $2 bisacsh $3 2076504
650 7 $a ART / Performance $2 bisacsh $3 1599802
650 7 $a ART / Reference $2 bisacsh $3 1599803
650 7 $a PHOTOGRAPHY / Photojournalism. $2 bisacsh $3 2076505
650 7 $a POLITICAL SCIENCE / International Relations / General. $2 bisacsh $3 1598224
650 7 $a POLITICAL SCIENCE / Peace. $2 bisacsh $3 1598559
655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a Möller, Frank, 1963-, author. $t Visual peace $z 9781137020390 $w (DLC) 2013041783 $w (OCoLC)848162735
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137020406