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Landscape, landscript : = nature as ...

Vainker, S. J.

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Landscape, landscript : = nature as language in the art of Xu Bing /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Landscape, landscript :/ Shelagh Vainker ; with essays by Judith Goldman, Peter D. McDonald and Xu Bing.
其他題名:	nature as language in the art of Xu Bing /
作者:	Vainker, S. J.
其他作者:	Goldman, Judith.
出版者:	Oxford :Ashmolean Museum of Art and Archaeology, University of Oxford, : c2013.,
面頁冊數:	204 p. :ill. (some col.), col. maps ;28 cm.
附註:	Published to accompany the exhibition of the same name held at the Ashmolean Museum, Oxford, 28th February-19th May 2013.
標題:	Language and languages in art - Exhibitions. -
ISBN:	9781854442697 (pbk.) :

Landscape, landscript : = nature as language in the art of Xu Bing /
Vainker, S. J.

Landscape, landscript :nature as language in the art of Xu Bing /Shelagh Vainker ; with essays by Judith Goldman, Peter D. McDonald and Xu Bing. - Oxford :Ashmolean Museum of Art and Archaeology, University of Oxford,c2013. - 204 p. :ill. (some col.), col. maps ;28 cm.

Published to accompany the exhibition of the same name held at the Ashmolean Museum, Oxford, 28th February-19th May 2013.

Includes bibliographical references (p. 204).

aDirector's foreword -- Shelagh Vainker --

The importance of the written word in Chinese art - as inscription, decoration or calligraphy with brush and ink - is one of the most discussed topics in the history of Chinese art. Here, Xu Bing examines the systems within the written language itself, illustrating how the visual elements articulate or create a relationship between the language user and the myriad objects around him.

ISBN: 9781854442697 (pbk.) :UK25.00Subjects--Personal Names:

1995498
Xu, Bing,
1955---Criticism and interpretation.Subjects--Topical Terms:

2061560
Language and languages in art
--Exhibitions.

LC Class. No.: N7349.X8 / A4 2013

Dewey Class. No.: 709.2

Landscape, landscript : = nature as language in the art of Xu Bing /
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500 $a Published to accompany the exhibition of the same name held at the Ashmolean Museum, Oxford, 28th February-19th May 2013.
500 $a Map on inside covers.
504 $a Includes bibliographical references (p. 204).
505 0 # $t aDirector's foreword -- $t Introduction / $r Shelagh Vainker -- $t Notes on Xu Bing's prints / $r Judith Goldman -- $t The path to landscript / $r Shelagh Vainker -- $t On early landscape influences / $r Xu Bing -- $t Catalogue entries 1-71 -- $t yLandscript / $r Shelagh Vainker -- $t Landscript series / $r Xu Bing -- $t Catalogue entries 72-77 -- $t Landscape and learning / $r Shelagh Vainker -- $t On painting and teaching / $r Xu Bing -- $t Catalogue entries 78-93 -- $t 'The space between': ways of looking at the art of Xu Bing / $r Peter D. McDonald -- $t The sort of artist I am / $r Xu Bing -- $t Xu Bing biographical timeline -- $t Further reading -- $t Acknowlegement.
520 3 $a The importance of the written word in Chinese art - as inscription, decoration or calligraphy with brush and ink - is one of the most discussed topics in the history of Chinese art. Here, Xu Bing examines the systems within the written language itself, illustrating how the visual elements articulate or create a relationship between the language user and the myriad objects around him.
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