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Japanese cinema goes global = filmwo...
~
Tezuka, Yoshiharu.
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Japanese cinema goes global = filmworkers' journeys /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Japanese cinema goes global/ Yoshiharu Tezuka.
Reminder of title:
filmworkers' journeys /
Author:
Tezuka, Yoshiharu.
Published:
Hong Kong [China] :Hong Kong University Press, : c2012,
Description:
1 online resource (x, 200 p.).
Notes:
Issued as part of UPCC book collections on Project MUSE.
[NT 15003449]:
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
Subject:
Culture and globalization - Japan. -
Online resource:
http://muse.jhu.edu/books/9789888053872/Full text available:
ISBN:
9789888053872 (electronic bk.)
Japanese cinema goes global = filmworkers' journeys /
Tezuka, Yoshiharu.
Japanese cinema goes global
filmworkers' journeys /[electronic resource] :Yoshiharu Tezuka. - Hong Kong [China] :Hong Kong University Press,c2012 - 1 online resource (x, 200 p.). - TransAsia : screen cultures. - TransAsia: screen cultures..
Issued as part of UPCC book collections on Project MUSE.
Includes bibliographical references (p. [181]-196) and index.
Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
ISBN: 9789888053872 (electronic bk.)Subjects--Topical Terms:
776442
Culture and globalization
--Japan.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1993.5.J3 / T495 2012
Dewey Class. No.: 791.430952
Japanese cinema goes global = filmworkers' journeys /
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Introduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia beforeglobalization --ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006)-- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
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Japan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within theinternational industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been throughthe globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
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Full text available:
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http://muse.jhu.edu/books/9789888053872/
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電子資源
11.線上閱覽_V
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EB PN1993.5.J3 T495 2012
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