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The philosophy of Steven Soderbergh

Sanders, Steven, (1945-)

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The philosophy of Steven Soderbergh

Record Type:	Electronic resources : Monograph/item
Title/Author:	The philosophy of Steven Soderbergh/ editedby R. Barton Palmer and Steven M. Sanders.
other author:	Sanders, Steven,
Published:	Lexington :The University Press of Kentucky, : 2011.,
Description:	1 online resource (ix, 318 p.).
[NT 15003449]:	Introduction / R. Barton Palmer and Steven M. Sanders -- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodroguez-Ruiz -- Love, truth,and the medium in Sex, lies, and videotape / Yannis Tzioumakis -- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance -- Temporality, intertextuality, genre.Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer -- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King -- -Intertextuality, broken mirrors, and The good German / Andrew deWaard -- Remade by Steven Soderbergh / Aaron Baker -- Self-reflexivity, self-centeredness, Autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narrationin Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders -- Schizoanalyzing The informant / David Sterritt -- Competing modes of capital in Ocean's eleven / R. Colin Tait -- An ethical analysis of Traffic / Shai Bidermanand William J. Devlin -- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland -- Solaris, cinema, andSimulacra / Michael Valdez Moses.
Online resource:	http://muse.jhu.edu/books/9780813126630/Full text available:
ISBN:	9780813126630 (electronic bk.)

The philosophy of Steven Soderbergh
The philosophy of Steven Soderbergh[electronic resource] /editedby R. Barton Palmer and Steven M. Sanders. - Lexington :The University Press of Kentucky,2011. - 1 online resource (ix, 318 p.). - Philosophy of popular culture.

Includes bibliographical references and index.

Introduction / R. Barton Palmer and Steven M. Sanders -- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodroguez-Ruiz -- Love, truth,and the medium in Sex, lies, and videotape / Yannis Tzioumakis -- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance -- Temporality, intertextuality, genre.Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer -- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King -- -Intertextuality, broken mirrors, and The good German / Andrew deWaard -- Remade by Steven Soderbergh / Aaron Baker -- Self-reflexivity, self-centeredness, Autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narrationin Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders -- Schizoanalyzing The informant / David Sterritt -- Competing modes of capital in Ocean's eleven / R. Colin Tait -- An ethical analysis of Traffic / Shai Bidermanand William J. Devlin -- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland -- Solaris, cinema, andSimulacra / Michael Valdez Moses.

ISBN: 9780813126630 (electronic bk.)Subjects--Personal Names:

575020
Soderbergh, Steven,
1963-

LC Class. No.: PN1998.3.S593 / P55 2011

Dewey Class. No.: 791.4302/33092

The philosophy of Steven Soderbergh
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