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New Francophone African and Caribbea...

Conteh-Morgan, John.

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New Francophone African and Caribbean theatres

Record Type:	Electronic resources : Monograph/item
Title/Author:	New Francophone African and Caribbean theatres/ John Conteh-Morgan with Dominic Thomas.
Author:	Conteh-Morgan, John.
other author:	Thomas, Dominic Richard David.
Published:	Bloomington :Indiana University Press, : c2010.,
Description:	1 online resource (xviii, 208 p.).
[NT 15003449]:	Introduction : instrumentalizing performance and the Francophone postcolonial performative --Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatistas epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures ofdramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'onsort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergothà -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization.
Subject:	Theater - Caribbean, French-speaking. -
Online resource:	http://muse.jhu.edu/books/9780253004581/Full text available:
ISBN:	9780253004581 (electronic bk.)

New Francophone African and Caribbean theatres
Conteh-Morgan, John.

New Francophone African and Caribbean theatres[electronic resource] /John Conteh-Morgan with Dominic Thomas. - Bloomington :Indiana University Press,c2010. - 1 online resource (xviii, 208 p.). - African expressive cultures. - African expressive cultures..

Includes bibliographical references (p. [177]-194) and index.

Introduction : instrumentalizing performance and the Francophone postcolonial performative --Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatistas epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures ofdramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'onsort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergothà -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization.

ISBN: 9780253004581 (electronic bk.)Subjects--Topical Terms:

1988184
Theater
--Caribbean, French-speaking.

LC Class. No.: PQ3983 / .C63 2010

Dewey Class. No.: 842/.9140996

New Francophone African and Caribbean theatres
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300 $a 1 online resource (xviii, 208 p.).
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504 $a Includes bibliographical references (p. [177]-194) and index.
505 0 $a Introduction : instrumentalizing performance and the Francophone postcolonial performative --Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatistas epic performer : Eugene Dervain's Saran, ou la reine scelerate -- The power and the pleasures ofdramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fee carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du marechal nnikon nniku, prince qu'onsort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mange Madame d'Avoine Bergothà -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization.
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856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780253004581/