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Images of Black modernism = verbal a...

Thaggert, Miriam.

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Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Images of Black modernism/ Miriam Thaggert.
Reminder of title:	verbal and visual strategies of the Harlem Renaissance /
Author:	Thaggert, Miriam.
Published:	Amherst :University of Massachusetts Press, : c2010.,
Description:	1 online resource (xiii, 248 p.) :ill.
[NT 15003449]:	Introduction: a crisis in Black art and literature -- Tone pictures:James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing-- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.
Subject:	Modernism (Literature) - United States. -
Online resource:	http://muse.jhu.edu/books/9781613760505/Full text available:
ISBN:	9781613760505 (electronic bk.)

Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
Thaggert, Miriam.

Images of Black modernismverbal and visual strategies of the Harlem Renaissance /[electronic resource] :Miriam Thaggert. - Amherst :University of Massachusetts Press,c2010. - 1 online resource (xiii, 248 p.) :ill.

Includes bibliographical references and index.

Introduction: a crisis in Black art and literature -- Tone pictures:James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing-- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.

ISBN: 9781613760505 (electronic bk.)Subjects--Topical Terms:

547761
Modernism (Literature)
--United States.

LC Class. No.: PS153.N5 / T455 2010

Dewey Class. No.: 810.9/896073

Images of Black modernism = verbal and visual strategies of the Harlem Renaissance /
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245 1 0 $a Images of Black modernism $h [electronic resource] : $b verbal and visual strategies of the Harlem Renaissance / $c Miriam Thaggert.
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505 0 $a Introduction: a crisis in Black art and literature -- Tone pictures:James Weldon Johnson's experiment in dialect -- Reading the body: fashion, etiquette, and narrative in Nella Larsen's Passing-- Surface effects: satire, race, and language in George Schuyler's Black no more and "the Negro-art hokum" -- Collectin' Van Vechten: the narrative and visual collections of Carl Van Vechten -- A photographic language: camera lucida and the photography of James Van Der Zee and Aaron Siskind -- Conclusion. remembering Harlem: Wallace Thurman, Alain Locke, and the Metropolitan Museum of Art's "Harlem" exhibition.
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