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Independent Chinese documentary = fr...
~
Robinson, Luke.
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Independent Chinese documentary = from the studio to the street /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Independent Chinese documentary/ Luke Robinson.
Reminder of title:
from the studio to the street /
Author:
Robinson, Luke.
Published:
Basingstoke :Palgrave Macmillan, : 2013.,
Description:
1 online resource.
[NT 15003449]:
Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
Subject:
Documentary films - History and criticism. - China -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9781137271228
ISBN:
9781137271228 (electronic bk.)
Independent Chinese documentary = from the studio to the street /
Robinson, Luke.
Independent Chinese documentary
from the studio to the street /[electronic resource] :Luke Robinson. - Basingstoke :Palgrave Macmillan,2013. - 1 online resource.
Includes bibliographical references and index.
Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.
ISBN: 9781137271228 (electronic bk.)
Source: 496995Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
913126
Documentary films
--History and criticism.--ChinaIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN1995.9.C6 / R63 2013
Dewey Class. No.: 791.43/61
Independent Chinese documentary = from the studio to the street /
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Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
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In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.
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電子資源
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EB PN1995.9.C6 R63 2013
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