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Phenomenology and the future of film...

Chamarette, Jenny, (1981-)

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Phenomenology and the future of film = rethinking subjectivity beyond French cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Phenomenology and the future of film/ Jenny Chamarette.
Reminder of title:	rethinking subjectivity beyond French cinema /
Author:	Chamarette, Jenny,
Published:	New York :Palgrave Macmillan, : 2013.,
Description:	1 online resource.
[NT 15003449]:	Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
Subject:	Motion pictures - Philosophy. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
ISBN:	9781137283740 (electronic bk.)

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
Chamarette, Jenny,1981-

Phenomenology and the future of filmrethinking subjectivity beyond French cinema /[electronic resource] :Jenny Chamarette. - New York :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.

Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.

ISBN: 9781137283740 (electronic bk.)

Source: 504034Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

550295
Motion pictures
--Philosophy.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.P42 / C53 2013

Dewey Class. No.: 791.4301

Phenomenology and the future of film = rethinking subjectivity beyond French cinema /
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245 1 0 $a Phenomenology and the future of film $h [electronic resource] : $b rethinking subjectivity beyond French cinema / $c Jenny Chamarette.
260 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
504 $a Includes filmography.
505 0 $a Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agn�es Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
520 $a Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and anthropology, to four close studies of experimental and avant-garde moving image works by internationally recognized and widely studied contemporary French filmmakers, whose cinematic production spans the 1950s to the present day. Acknowledging the shifting ground of the cinematic across multiple media and geographies, from 35mm feature film, to video-tape, to projected installation and digital video, this volume asks how phenomenological approaches to film can help us to rethink the relationship of subjectivity to our future cinematic world.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 550295
650 0 $a Motion pictures $x Psychological aspects. $3 588934
650 0 $a Subjectivity in motion pictures. $3 1976539
650 0 $a Experimental films $x History and criticism. $3 744024
650 0 $a Phenomenology. $3 533816
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 1598987
655 4 $a Electronic books. $2 lcsh $3 542853
776 0 8 $i Print version: $a Chamarette, Jenny, 1981- $t Phenomenology and the future of film. $d New York : Palgrave Macmillan, 2013 $z 9780230299535 $w (DLC) 2012033383 $w (OCoLC)792880335
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137283740
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