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Eugene O'Neill's one-act plays = new...

Bennett, Michael Y., (1980-)

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Eugene O'Neill's one-act plays = new critical perspectives /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Eugene O'Neill's one-act plays/ edited by Michael Y. Bennett, Benjamin D. Carson.
Reminder of title:	new critical perspectives /
other author:	Bennett, Michael Y.,
Published:	New York :Palgrave Macmillan, : 2012.,
Description:	1 online resource (xiii, 208 p.)
[NT 15003449]:	The playwright's theatre: O'Neill's use of the Provincetown Players as laboratory / Jeff Kennedy -- Rethinking O'Neill's beginnings: slumming, sociology, and sensationalism in The web / J. Chris Westgate -- Eugene O'Neill's Abortion and standard family roles: the economics of terminating a romance and a pregnancy / Lesley Broder -- The movie man: the failure of aesthetics? / Thierry Dubost -- "God stiffen us ...": queering O'Neill's sea plays / Phillip Barnhart -- Epistemological crises in O'Neill's SS Glencairn plays / Michael Y. Bennett -- "The curtain is lowered": self-revelation and the problem of form in Exorcism / Kurt Eisen -- "Ain't nothin' dere but de trees!": ghosts and the forest in The Emperor Jones / Paul D. Streufert -- Neither fallen angel nor risen ape: desentimentalizing Robert Smith / Thomas F. Connolly -- Waiting for O'Neill: the makings of an existentialist / Steven F. Bloom -- O'Neill's Hughie: the sea plays revisited / Robert Combs -- Condensed comedy: the neo-futurists perform O'Neill's stage directions / Zander Brietzke.
Subject:	American drama - Social aspects. - 20th century -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137043931
ISBN:	9781137043931 (electronic bk.)

Eugene O'Neill's one-act plays = new critical perspectives /
Eugene O'Neill's one-act playsnew critical perspectives /[electronic resource] :edited by Michael Y. Bennett, Benjamin D. Carson. - New York :Palgrave Macmillan,2012. - 1 online resource (xiii, 208 p.)

Includes bibliographical references.

The playwright's theatre: O'Neill's use of the Provincetown Players as laboratory / Jeff Kennedy -- Rethinking O'Neill's beginnings: slumming, sociology, and sensationalism in The web / J. Chris Westgate -- Eugene O'Neill's Abortion and standard family roles: the economics of terminating a romance and a pregnancy / Lesley Broder -- The movie man: the failure of aesthetics? / Thierry Dubost -- "God stiffen us ...": queering O'Neill's sea plays / Phillip Barnhart -- Epistemological crises in O'Neill's SS Glencairn plays / Michael Y. Bennett -- "The curtain is lowered": self-revelation and the problem of form in Exorcism / Kurt Eisen -- "Ain't nothin' dere but de trees!": ghosts and the forest in The Emperor Jones / Paul D. Streufert -- Neither fallen angel nor risen ape: desentimentalizing Robert Smith / Thomas F. Connolly -- Waiting for O'Neill: the makings of an existentialist / Steven F. Bloom -- O'Neill's Hughie: the sea plays revisited / Robert Combs -- Condensed comedy: the neo-futurists perform O'Neill's stage directions / Zander Brietzke.

Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays," associated with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. It is our hope that a wide-ranging investigation into O'Neill's one-acts will shed light on a less-explored part of his career, and thus assist scholars in understanding O'Neill's entire oeuvre.

ISBN: 9781137043931 (electronic bk.)

Source: 605442Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

688787
O'Neill, Eugene,
1888-1953Subjects--Topical Terms:

1976291
American drama
--Social aspects.--20th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS3529.N5 / Z639 2012

Dewey Class. No.: 812/.52

Eugene O'Neill's one-act plays = new critical perspectives /
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300 $a 1 online resource (xiii, 208 p.)
504 $a Includes bibliographical references.
505 0 $a The playwright's theatre: O'Neill's use of the Provincetown Players as laboratory / Jeff Kennedy -- Rethinking O'Neill's beginnings: slumming, sociology, and sensationalism in The web / J. Chris Westgate -- Eugene O'Neill's Abortion and standard family roles: the economics of terminating a romance and a pregnancy / Lesley Broder -- The movie man: the failure of aesthetics? / Thierry Dubost -- "God stiffen us ...": queering O'Neill's sea plays / Phillip Barnhart -- Epistemological crises in O'Neill's SS Glencairn plays / Michael Y. Bennett -- "The curtain is lowered": self-revelation and the problem of form in Exorcism / Kurt Eisen -- "Ain't nothin' dere but de trees!": ghosts and the forest in The Emperor Jones / Paul D. Streufert -- Neither fallen angel nor risen ape: desentimentalizing Robert Smith / Thomas F. Connolly -- Waiting for O'Neill: the makings of an existentialist / Steven F. Bloom -- O'Neill's Hughie: the sea plays revisited / Robert Combs -- Condensed comedy: the neo-futurists perform O'Neill's stage directions / Zander Brietzke.
520 $a Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays," associated with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. It is our hope that a wide-ranging investigation into O'Neill's one-acts will shed light on a less-explored part of his career, and thus assist scholars in understanding O'Neill's entire oeuvre.
520 $a "Although Eugene O'Neill's work has generated much scholarship, his one-act plays have not received the critical attention they deserve. Given that O'Neill began his career writing one-act plays, including his justly famous "Sea Plays," with the Provincetown Players, it is surprising that his one-acts have been largely neglected. This collection, aims to fill the gap by examining O'Neill's one-act plays, during what can be considered O'Neill's formative writing years, and the formative period of American drama. This wide-ranging investigation into O'Neill's one-acts sheds light on a less-explored part of his career, and thus assists scholars in understanding O'Neill's entire oeuvre"-- $c Provided by publisher.
588 $a Description based on print version record.
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650 0 $a American drama $y 20th century $x Social aspects. $3 1976291
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655 4 $a Electronic books. $2 lcsh $3 542853
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700 1 $a Carson, Benjamin D. $3 1288775
776 0 8 $i Print version: $t Eugene O'Neill's one-act plays. $d New York : Palgrave Macmillan, 2012 $z 9780230339811 $w (DLC) 2012002675 $w (OCoLC)769987247
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