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Country critics: Musica caipira and...

Dent, Alexander Sebastian.

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Country critics: Musica caipira and the production of locality in Brazil.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Country critics: Musica caipira and the production of locality in Brazil./
作者:	Dent, Alexander Sebastian.
面頁冊數:	284 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.
Contained By:	Dissertation Abstracts International64-07A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3097097

Country critics: Musica caipira and the production of locality in Brazil.
Dent, Alexander Sebastian.

Country critics: Musica caipira and the production of locality in Brazil. - 284 p.

Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.

Thesis (Ph.D.)--The University of Chicago, 2003.

How is music used to produce locality within the context of the re-democratization and economic liberalization of Brazil in the late 20th century?Subjects--Topical Terms:

735016
Anthropology, Cultural.

Country critics: Musica caipira and the production of locality in Brazil.
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245 1 0 $a Country critics: Musica caipira and the production of locality in Brazil.
300 $a 284 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-07, Section: A, page: 2538.
500 $a Adviser: Andrew Apter.
502 $a Thesis (Ph.D.)--The University of Chicago, 2003.
520 $a How is music used to produce locality within the context of the re-democratization and economic liberalization of Brazil in the late 20th century?
520 $a This dissertation concerns a revival of interest in traditional rural musical genres in the contemporary Brazilian Central-South---genres known as musica caipira and musica de viola . I argue that the interlocking generic features of rural musical texts, including lyrical motifs, 'hick,' non-Standard pronunciation and usage, instrumentation, vocal styling, rhythm, and harmonization, offer performers and listeners a rural poetics with which to criticize Brazil's approach to urbanization over the last century. Music's special force is partly attributed to the central role it is thought to have played in Central-Southern social reproduction in bygone days. It is also thought to offer a particular voicing unavailable to users of other media. For these Revivalists, music seduces at the same time as it argues. It hits you in the head and the heart.
520 $a Since this Revivalist practice simultaneously criticizes and draws upon other Brazilian musical genres, I will develop an analysis of the field of musical production. In this way I will delineate other musical approaches to the rural, and contrast these with that of the Revivalists, for whom 'country' entails counteracting the seemingly insurmountable calls to progress made by big business, language-standardizing institutions, and the massive entertainment industry.
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