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Ficcion de racionalidad: La memoria...

Vilahomat, Jose R.

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Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina)./
Author:	Vilahomat, Jose R.
Description:	209 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0925.
Contained By:	Dissertation Abstracts International64-03A.
Subject:	Literature, Latin American. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3086690

Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).
Vilahomat, Jose R.

Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina). - 209 p.

Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0925.

Thesis (Ph.D.)--Florida International University, 2003.

The aesthetic placement and period designation of Jorge Luis Borges (1899--1986) and Jose Lezama Lima (1910--1976) are complicated issues among critics. Borges is considered a predecessor of the Latin American literary "boom," but despite that taxonomy his work transcends that definition and provides a foundation for new trends, such as the "neobarroco" cultivated by Severo Sarduy. Lezama is considered part of the second wave of the "boom," but his work feeds, stylistically, from the Spanish baroque. At the same time, Lezama's daring treatment of homoeroticism and his system of images place him after the "boom" in a narrative style that is postmodern. This study undertakes a revision of external and internal issues, revealing the key fictive elements that characterize both writers. Through discourse analysis, a poetic system is formulated, which incorporates features of the "neobarroco," and postmodern narrative styles.Subjects--Topical Terms:

1024734
Literature, Latin American.

Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).
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035 $a (UnM)AAI3086690
035 $a AAI3086690
040 $a UnM $c UnM
100 1 $a Vilahomat, Jose R. $3 1948944
245 1 0 $a Ficcion de racionalidad: La memoria como operador mitico en las esteticas polares de Jorge Luis Borges y Jose Lezama Lima (Jose Lezama Lima, Jorge Luis Borges, Spanish text, Cuba, Argentina).
300 $a 209 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0925.
500 $a Major Professor: Santiago Juan-Navarro.
502 $a Thesis (Ph.D.)--Florida International University, 2003.
520 $a The aesthetic placement and period designation of Jorge Luis Borges (1899--1986) and Jose Lezama Lima (1910--1976) are complicated issues among critics. Borges is considered a predecessor of the Latin American literary "boom," but despite that taxonomy his work transcends that definition and provides a foundation for new trends, such as the "neobarroco" cultivated by Severo Sarduy. Lezama is considered part of the second wave of the "boom," but his work feeds, stylistically, from the Spanish baroque. At the same time, Lezama's daring treatment of homoeroticism and his system of images place him after the "boom" in a narrative style that is postmodern. This study undertakes a revision of external and internal issues, revealing the key fictive elements that characterize both writers. Through discourse analysis, a poetic system is formulated, which incorporates features of the "neobarroco," and postmodern narrative styles.
520 $a This dissertation uses a polar structure to analyze both poetic visions and finds that they are symmetrical. From this perspective, Borges and Lezama belong to the "core" of literature that centers its emphasis in the creation of a system versus other modes of writing in which mimetic function prevails. By doing this and by recycling world culture, they create postmodern myth: the new building material for Hispanic American literature.
520 $a There are a few studies that explore the works of Borges and Lezama within the context of Baroque aesthetics. This dissertation offers a comprehensive analysis that considers their poetic visions at large. Besides the difference in perspective, defined as macro-spatial in Borges and micro-spatial in Lezama, there are many similarities. Both writers question the cause and effect relationship and the use of metaphor. They share a redefinition of genre as well as a hedonistic approach to literature. This kinship in poetic vision is revealed through the polar method used for this study, which proposes a new form of aesthetic placement and period designation.
590 $a School code: 1023.
650 4 $a Literature, Latin American. $3 1024734
650 4 $a Literature, Caribbean. $3 1019116
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690 $a 0360
710 2 0 $a Florida International University. $3 718935
773 0 $t Dissertation Abstracts International $g 64-03A.
790 1 0 $a Juan-Navarro, Santiago, $e advisor
790 $a 1023
791 $a Ph.D.
792 $a 2003
793 $a Spanish
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3086690