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The power of phantasm in Stephane Ma...

Vinson, Mona Margareta.

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The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).

Record Type:	Electronic resources : Monograph/item
Title/Author:	The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France)./
Author:	Vinson, Mona Margareta.
Description:	635 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0882.
Contained By:	Dissertation Abstracts International64-03A.
Subject:	Language, Modern. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3082571

The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).
Vinson, Mona Margareta.

The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France). - 635 p.

Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0882.

Thesis (Ph.D.)--University of California, Davis, 2003.

Sharing various radical stylistic features, Mallarmé's poetry and Lacan's theories are implicated in other significant ways, including their views about desire and the language of the unconscious. Focusing on Mallarmé's youth poetry (1857–1870), I adopt the methods of major postmodern psychoanalytic theorists in reading Mallarmé through Lacan's theories and vice versa.Subjects--Topical Terms:

1018098
Language, Modern.

The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).
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035 $a (UnM)AAI3082571
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040 $a UnM $c UnM
100 1 $a Vinson, Mona Margareta. $3 1945642
245 1 0 $a The power of phantasm in Stephane Mallarme's youth poetry and in the psychoanalytic theory of Jacques Lacan (France).
300 $a 635 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-03, Section: A, page: 0882.
500 $a Adviser: Georges Van Den Abbeele.
502 $a Thesis (Ph.D.)--University of California, Davis, 2003.
520 $a Sharing various radical stylistic features, Mallarmé's poetry and Lacan's theories are implicated in other significant ways, including their views about desire and the language of the unconscious. Focusing on Mallarmé's youth poetry (1857–1870), I adopt the methods of major postmodern psychoanalytic theorists in reading Mallarmé through Lacan's theories and vice versa.
520 $a Drawing on Lacan's theory of drive, which I compare to Kristeva's semiotic chora, I examine the enigmas of phantasm in its relation to Mallarmé's obsessive search for the “feminine.” Such longing for the feminine within was caused, as Charles Mauron discovered, by the poet's unresolved grief over the deaths of his mother and sister—a loss resulting in cyclic melancholia. The vicissitudes of Mallarmé's mood-swings are reflected in his poetry through allosemes and “pluri-signification”—nuances of polypolarity that can be understood in part through reference to <italic> Petit Littre</italic>, the dictionary the poet used. Mallarmé's struggles to resolve conflicts generated by his narcissistic wound and expressed through his complex poetic structures may be construed as Lacan's third term.
520 $a Inspired by Abraham/Torok's discussions of (and Derrida's interventions on) Cryptology, I analyze five major poems. I begin with <italic>Brise Marine </italic> and conclude with <italic>Igitur</italic>, the powerful poem that terminates Mallarmé's youth poetry and his narcissism. Cryptology is particularly appropriate for a study of Mallarmé's early poems, since my assumption is that the “Thing,” introjected and buried in the crypt, is composed of the deaths of his two closest relatives.
520 $a <italic>Renouveau</italic> concerns the poet's mind/body dialectic. In <italic> Azur</italic> he meets his Ideal, a guide to understanding his phantasmatic, cryptic Dream. Herodiade, the protagonist of the poem that bears her name, represents his female soul and helps him separate the illusionary from the Real in phantasmatic desire. <italic>Les Fenetres</italic> depicts Mallarmé's subject/object struggle involving repetition compulsion in the signifying chain; and in <italic>L'Apres-midi d'un faune</italic> he comes to terms with the role sexuality plays in his life. Finally, through a death/rebirth experience realized in <italic>Igitur</italic>, Mallarmé transcends his oral/anal fixation and becomes liberated from the encrypted ego structure. The obscurity of Mallarmé's writing becomes less enigmatic when viewed through Lacan's anamorphic gaze.
590 $a School code: 0029.
650 4 $a Language, Modern. $3 1018098
650 4 $a Literature, Romance. $3 1019014
650 4 $a Psychology, General. $3 1018034
690 $a 0291
690 $a 0313
690 $a 0621
710 2 0 $a University of California, Davis. $3 1018682
773 0 $t Dissertation Abstracts International $g 64-03A.
790 1 0 $a Van Den Abbeele, Georges, $e advisor
790 $a 0029
791 $a Ph.D.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3082571