東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

jn4.gesture: An interactive composi...

Holmes, Douglas Blake.

Linked to FindBook

Google Book

Amazon

博客來

jn4.gesture: An interactive composition for dance (Original composition, Multimedia).

Record Type:	Electronic resources : Monograph/item
Title/Author:	jn4.gesture: An interactive composition for dance (Original composition, Multimedia)./
Author:	Holmes, Douglas Blake.
Description:	64 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 1896.
Contained By:	Dissertation Abstracts International64-06A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3095358

jn4.gesture: An interactive composition for dance (Original composition, Multimedia).
Holmes, Douglas Blake.

jn4.gesture: An interactive composition for dance (Original composition, Multimedia). - 64 p.

Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 1896.

Thesis (D.M.A.)--University of North Texas, 2003.

<italic>jn4.gesture</italic> is an interactive multimedia composition for dancer and computer designed to extend the possibilities of artistic expression through the use of contemporary technology. The software produces the audiovisual materials, which are controlled by the movement of the dancer on a custom rug sensor. The software that produces the graphic and sonic material is created using a modular design. During run-time, the software's modules are directed by a scripting language developed to control and adjust the audiovisual production through time. The visual material provides the only illumination of the performer, and the projections follow the performer's movements. The human form is isolated in darkness and it remains the focal point in the visual environment. These same movements are used to create the sonic material and control the diffusion of sound in an eight channel sound system.Subjects--Topical Terms:

516178
Music.

jn4.gesture: An interactive composition for dance (Original composition, Multimedia).
LDR:03016nmm 2200289 4500 001 1857577
005 20040816072814.5
008 130614s2003 eng d
035 $a (UnM)AAI3095358
035 $a AAI3095358
040 $a UnM $c UnM
100 1 $a Holmes, Douglas Blake. $3 1945293
245 1 0 $a jn4.gesture: An interactive composition for dance (Original composition, Multimedia).
300 $a 64 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-06, Section: A, page: 1896.
500 $a Major Professor: Jon Christopher Nelson.
502 $a Thesis (D.M.A.)--University of North Texas, 2003.
520 $a <italic>jn4.gesture</italic> is an interactive multimedia composition for dancer and computer designed to extend the possibilities of artistic expression through the use of contemporary technology. The software produces the audiovisual materials, which are controlled by the movement of the dancer on a custom rug sensor. The software that produces the graphic and sonic material is created using a modular design. During run-time, the software's modules are directed by a scripting language developed to control and adjust the audiovisual production through time. The visual material provides the only illumination of the performer, and the projections follow the performer's movements. The human form is isolated in darkness and it remains the focal point in the visual environment. These same movements are used to create the sonic material and control the diffusion of sound in an eight channel sound system.
520 $a The video recording of the performance was made on April 22, 2002. The work was produced in a specialized performance space using two computer projectors and a state of the art sound system. Arleen Sugano designed the costumes, choreographed and performed the composition in the Merrill Ellis Intermedia Theatre (MEIT) at the University of North Texas.
520 $a The paper focuses on the design of the program that controls the production of the audiovisual environment. This is achieved with a discussion of background issues associated with gesture capture. A brief discussion of human-computer interface and its relationship with the arts provides an overview to the software design and mapping scenarios used to create the composition. The design of the score, a graphical user interface, is discussed as the element that synchronizes the media creation in “scenes” of the composition. This score delivers a hybrid script to the modules that controls the production of audiovisual elements. Particular modules are discussed and related to sensor mapping routines that give multiple mapping control to computer function enabling a single gesture to have multiple outcomes.
590 $a School code: 0158.
650 4 $a Music. $3 516178
650 4 $a Dance. $3 610547
690 $a 0413
690 $a 0378
710 2 0 $a University of North Texas. $3 1017396
773 0 $t Dissertation Abstracts International $g 64-06A.
790 1 0 $a Nelson, Jon Christopher, $e advisor
790 $a 0158
791 $a D.M.A.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3095358