Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Music as popular propaganda in the G...
~
Oettinger, Rebecca Wagner.
Linked to FindBook
Google Book
Amazon
博客來
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther)./
Author:
Oettinger, Rebecca Wagner.
Description:
562 p.
Notes:
Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1824.
Contained By:
Dissertation Abstracts International60-06A.
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9919951
ISBN:
0599355786
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
Oettinger, Rebecca Wagner.
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
- 562 p.
Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1824.
Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.
This study of German vernacular songs transmitted in sixteenth-century pamphlets and broadsides examines the role such songs played in the spread of polemic and propaganda during the Protestant Reformation. Chapter I provides an introduction to the sources of these songs and an overview of the role such music has played in previous accounts of the Reformation.
ISBN: 0599355786Subjects--Topical Terms:
516178
Music.
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
LDR
:03217nmm 2200337 4500
001
1857369
005
20041123145123.5
008
130614s1999 eng d
020
$a
0599355786
035
$a
(UnM)AAI9919951
035
$a
AAI9919951
040
$a
UnM
$c
UnM
100
1
$a
Oettinger, Rebecca Wagner.
$3
581046
245
1 0
$a
Music as popular propaganda in the German Reformation, 1517-1555 (Martin Luther).
300
$a
562 p.
500
$a
Source: Dissertation Abstracts International, Volume: 60-06, Section: A, page: 1824.
500
$a
Supervisor: David W. Crook.
502
$a
Thesis (Ph.D.)--The University of Wisconsin - Madison, 1999.
520
$a
This study of German vernacular songs transmitted in sixteenth-century pamphlets and broadsides examines the role such songs played in the spread of polemic and propaganda during the Protestant Reformation. Chapter I provides an introduction to the sources of these songs and an overview of the role such music has played in previous accounts of the Reformation.
520
$a
The second chapter's examination of Luther's views on the power of music leads in chapter 3 to an investigation of the reformer's 1523 ballad, "Ein neues Lied wir heben an." This work, which appeared in the context of a polemical exchange over the canonization of Benno of Meissen, marked Luther's first use of song as propaganda and set an example for later Protestants intent on using music in the battle for souls.
520
$a
Most of the songs considered in this study made use of preexistent melodies. Chapter 4 shows why such contrafacta provided a particularly effective vehicle for the spread of information to the vast non-reading German population. Owing to the familiarity of their melodies, such songs made possible a level of distribution greater than that attainable by any printed medium alone. Particularly widespread were contrafacta of Catholic devotional music, which Protestants used to mock traditional belief and disrupt religious services.
520
$a
Focusing on a group of songs written in response to the 1548 Augsburg Interim, Chapter 5 demonstrates how popular song could become a form of popular resistance and dissent. Meant to reunite Catholics and Protestants, the Interim instead resulted in their further separation, as strict Lutherans attacked its provisions as "too Catholic." Evangelical theologians composed numerous songs that eroded support for the Interim and helped bring about its end.
520
$a
Protestants facing such trials as the Interim, Luther's 1521 condemnation, or his death in 1546 came to interpret these events as signs of the end of time. In chapter 6, 1 discuss the apocalypse and Antichrist in Reformation music. Nearly a quarter of polemical songs from 1517 to 1555 used millenarian imagery to describe current events, providing consolation to Christians and reassurance that their struggles had meaning and would ultimately be rewarded.
590
$a
School code: 0262.
650
4
$a
Music.
$3
516178
650
4
$a
History, European.
$3
1018076
650
4
$a
Literature, Germanic.
$3
1019072
690
$a
0413
690
$a
0335
690
$a
0311
710
2 0
$a
The University of Wisconsin - Madison.
$3
626640
773
0
$t
Dissertation Abstracts International
$g
60-06A.
790
1 0
$a
Crook, David W.,
$e
advisor
790
$a
0262
791
$a
Ph.D.
792
$a
1999
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9919951
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9176069
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login