Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
"Obscure dread and intense desire": ...
~
Clark Hillard, Molly.
Linked to FindBook
Google Book
Amazon
博客來
"Obscure dread and intense desire": Folklore, literature, and the Victorian self.
Record Type:
Electronic resources : Monograph/item
Title/Author:
"Obscure dread and intense desire": Folklore, literature, and the Victorian self./
Author:
Clark Hillard, Molly.
Description:
366 p.
Notes:
Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3396.
Contained By:
Dissertation Abstracts International65-09A.
Subject:
Literature, English. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3148457
ISBN:
0496074717
"Obscure dread and intense desire": Folklore, literature, and the Victorian self.
Clark Hillard, Molly.
"Obscure dread and intense desire": Folklore, literature, and the Victorian self.
- 366 p.
Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3396.
Thesis (Ph.D.)--University of California, Davis, 2004.
This dissertation examines folk tales and legends in Victorian literary and visual art, in order to recover folklore's importance as a tool for exploring and expressing Victorian cultural identity. It is my contention that folk tales and legends provided powerful narratives and figures that Victorians could manipulate and remodel to stand for a variety of cultural anxieties---economic, sexual, and artistic. The works in the study ahead---poetry by Keats, Tennyson, and Christina Rossetti, a novel by Dickens, the artwork of Burne-Jones, the popular press as represented by Punch, illustrated chapbooks, and popular theater scripts---exhibit the diverse ways in which folklore appeared in English culture. The very multiplicity of genre reflects the capaciousness of folklore to do England in different voices---to speak, that is, in the voice of "high" and "low" art, conservative and liberal doctrine, sentimental and parodic form. Because the project blends a study of oral, literary, and visual narratives, it joins the movement in recent years to take a broad view of text, and to privilege the relationship between text and context. More specifically, I ally myself with scholars that read a nation's sense of itself, its past and present both, as imagined and imaginative constructs, and as such dependent upon powerful master narratives and figurative icons for sustenance. The dissertation contributes to such critiques of identity by adding folklore as a rich and nuanced index of nationhood. Finally, by exploring the extent to which folk narrative was infused through Victorian literature and culture, and underscoring the complexity of the Victorian response to folklore, this project advances our understanding of the fanciful nature of Victorian representations of economy, domesticity, sexuality, artistry, and class. It is, paradoxically, in moments of starkest realism that folklore lies closest to Victorian literature. Texts that depict England's grimmest, most fraught social issues frequently introduce the fantastic motifs of tale and legend. The dark, brutal, bawdy themes of narrative lore become, not a retreat from reality, but a coded means of expressing it.
ISBN: 0496074717Subjects--Topical Terms:
1017709
Literature, English.
"Obscure dread and intense desire": Folklore, literature, and the Victorian self.
LDR
:03134nmm 2200301 4500
001
1843000
005
20050930110112.5
008
130614s2004 eng d
020
$a
0496074717
035
$a
(UnM)AAI3148457
035
$a
AAI3148457
040
$a
UnM
$c
UnM
100
1
$a
Clark Hillard, Molly.
$3
1931243
245
1 0
$a
"Obscure dread and intense desire": Folklore, literature, and the Victorian self.
300
$a
366 p.
500
$a
Source: Dissertation Abstracts International, Volume: 65-09, Section: A, page: 3396.
500
$a
Adviser: Catherine Robson.
502
$a
Thesis (Ph.D.)--University of California, Davis, 2004.
520
$a
This dissertation examines folk tales and legends in Victorian literary and visual art, in order to recover folklore's importance as a tool for exploring and expressing Victorian cultural identity. It is my contention that folk tales and legends provided powerful narratives and figures that Victorians could manipulate and remodel to stand for a variety of cultural anxieties---economic, sexual, and artistic. The works in the study ahead---poetry by Keats, Tennyson, and Christina Rossetti, a novel by Dickens, the artwork of Burne-Jones, the popular press as represented by Punch, illustrated chapbooks, and popular theater scripts---exhibit the diverse ways in which folklore appeared in English culture. The very multiplicity of genre reflects the capaciousness of folklore to do England in different voices---to speak, that is, in the voice of "high" and "low" art, conservative and liberal doctrine, sentimental and parodic form. Because the project blends a study of oral, literary, and visual narratives, it joins the movement in recent years to take a broad view of text, and to privilege the relationship between text and context. More specifically, I ally myself with scholars that read a nation's sense of itself, its past and present both, as imagined and imaginative constructs, and as such dependent upon powerful master narratives and figurative icons for sustenance. The dissertation contributes to such critiques of identity by adding folklore as a rich and nuanced index of nationhood. Finally, by exploring the extent to which folk narrative was infused through Victorian literature and culture, and underscoring the complexity of the Victorian response to folklore, this project advances our understanding of the fanciful nature of Victorian representations of economy, domesticity, sexuality, artistry, and class. It is, paradoxically, in moments of starkest realism that folklore lies closest to Victorian literature. Texts that depict England's grimmest, most fraught social issues frequently introduce the fantastic motifs of tale and legend. The dark, brutal, bawdy themes of narrative lore become, not a retreat from reality, but a coded means of expressing it.
590
$a
School code: 0029.
650
4
$a
Literature, English.
$3
1017709
650
4
$a
Folklore.
$3
528224
650
4
$a
Art History.
$3
635474
650
4
$a
Theater.
$3
522973
690
$a
0593
690
$a
0358
690
$a
0377
690
$a
0465
710
2 0
$a
University of California, Davis.
$3
1018682
773
0
$t
Dissertation Abstracts International
$g
65-09A.
790
1 0
$a
Robson, Catherine,
$e
advisor
790
$a
0029
791
$a
Ph.D.
792
$a
2004
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3148457
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9192514
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login