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The political conservatism of Willia...

Khan, Jalal Uddin.

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The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820).

Record Type:	Electronic resources : Monograph/item
Title/Author:	The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820)./
Author:	Khan, Jalal Uddin.
Description:	469 p.
Notes:	Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1794.
Contained By:	Dissertation Abstracts International56-05A.
Subject:	Literature, English. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9528505

The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820).
Khan, Jalal Uddin.

The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820). - 469 p.

Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1794.

Thesis (Ph.D.)--New York University, 1995.

Wordsworth's largely neglected volume, whose identity is completely lost, was his first to have been well received. Saturated in stylistic experimentation with the ode-form, elevated diction, personification and classical allusions by the poet of mature skills, the volume is an expression of his highly nationalistic patriotism. Studied in contemporary political and biographical context and that of the poet's letters and prose writings of the time, the volume is argued to be an embodiment of his anti-revolutionary Burkean ideas of organic past, class tradition, inherited rights, established institutions, and territorial loyalties at a time when he found himself directly involved in local politics and public affairs, constantly reminding the nation about the fearful excesses of the French Revolution. One of his most politically designed publications, the volume is a sublimation of his experience of the Waterloo-Peterloo-Westmoreland election period, giving expression to the moral necessity but also of the complexity of reconciling means with ends. While the volume is a nostalgic cry for ancient manners and customs and the values of harmony and stability, charity and generosity that had once held the social classes together but were now disappearing at the emergence of democratizing equality and agitation, it is the poet's artistic articulation of his patriotic and nationalistic idea of a morally as well as militarily strong state. The appeal of his poetic utterance in the volume, which is argued to be thematically unified, lies as much in his relentless encounter with the contemporary forces in politics, aesthetics, and religion as in his constant reference to his earlier poetry and changes in style. His celebration of the Lake District landscape and community continues unabated and so does his internalizing poetic dialogue with the external nature as well as the older and the younger generations of Romantic poets and close companions such as Dorothy, Dora, Coleridge, and Byron. The two of the great beauties of English Romanticism, descriptive-meditative mode and lyric answer-and-response mode, still prevail as the broad framework through which he expresses his social, political, and religious views.Subjects--Topical Terms:

1017709
Literature, English.

The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820).
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035 $a (UnM)AAI9528505
035 $a AAI9528505
040 $a UnM $c UnM
100 1 $a Khan, Jalal Uddin. $3 1931233
245 1 4 $a The political conservatism of William Wordsworth and his post-Waterloo poetry with particular reference to "The River Duddon, a series of sonnets: Vaudracour and Julia: and other poems. To which is annexed, a topographical description of the Country of the Lakes in the North of England" (1820).
300 $a 469 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-05, Section: A, page: 1794.
500 $a Adviser: Paul Magnuson.
502 $a Thesis (Ph.D.)--New York University, 1995.
520 $a Wordsworth's largely neglected volume, whose identity is completely lost, was his first to have been well received. Saturated in stylistic experimentation with the ode-form, elevated diction, personification and classical allusions by the poet of mature skills, the volume is an expression of his highly nationalistic patriotism. Studied in contemporary political and biographical context and that of the poet's letters and prose writings of the time, the volume is argued to be an embodiment of his anti-revolutionary Burkean ideas of organic past, class tradition, inherited rights, established institutions, and territorial loyalties at a time when he found himself directly involved in local politics and public affairs, constantly reminding the nation about the fearful excesses of the French Revolution. One of his most politically designed publications, the volume is a sublimation of his experience of the Waterloo-Peterloo-Westmoreland election period, giving expression to the moral necessity but also of the complexity of reconciling means with ends. While the volume is a nostalgic cry for ancient manners and customs and the values of harmony and stability, charity and generosity that had once held the social classes together but were now disappearing at the emergence of democratizing equality and agitation, it is the poet's artistic articulation of his patriotic and nationalistic idea of a morally as well as militarily strong state. The appeal of his poetic utterance in the volume, which is argued to be thematically unified, lies as much in his relentless encounter with the contemporary forces in politics, aesthetics, and religion as in his constant reference to his earlier poetry and changes in style. His celebration of the Lake District landscape and community continues unabated and so does his internalizing poetic dialogue with the external nature as well as the older and the younger generations of Romantic poets and close companions such as Dorothy, Dora, Coleridge, and Byron. The two of the great beauties of English Romanticism, descriptive-meditative mode and lyric answer-and-response mode, still prevail as the broad framework through which he expresses his social, political, and religious views.
590 $a School code: 0146.
650 4 $a Literature, English. $3 1017709
650 4 $a History, European. $3 1018076
690 $a 0593
690 $a 0335
710 2 0 $a New York University. $3 515735
773 0 $t Dissertation Abstracts International $g 56-05A.
790 1 0 $a Magnuson, Paul, $e advisor
790 $a 0146
791 $a Ph.D.
792 $a 1995
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9528505