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PEDALING IN THE DUO SONATAS FOR PIAN...

SHEFFET, ALICE M.

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PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS.

Record Type:	Electronic resources : Monograph/item
Title/Author:	PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS./
Author:	SHEFFET, ALICE M.
Description:	367 p.
Notes:	Source: Dissertation Abstracts International, Volume: 48-05, Section: A, page: 1142.
Contained By:	Dissertation Abstracts International48-05A.
Subject:	Education, Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8712502

PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS.
SHEFFET, ALICE M.

PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS. - 367 p.

Source: Dissertation Abstracts International, Volume: 48-05, Section: A, page: 1142.

Thesis (Ph.D.)--New York University, 1987.

The purpose of this study is to formulate guidelines for pedaling Brahms' duo sonatas for piano and strings. The development of pedal mechanisms, notation, and technique is traced. The mechanics and operation of the modern grand piano's pedals are described. Pedaling concepts from the literature are organized to provide a summary of basic pedal usage.Subjects--Topical Terms:

1017808
Education, Music.

PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS.
LDR:02388nmm 2200265 4500 001 1841451
005 20050915142038.5
008 130614s1987 d
035 $a (UnM)AAI8712502
035 $a AAI8712502
040 $a UnM $c UnM
100 1 $a SHEFFET, ALICE M. $3 1929750
245 1 0 $a PEDALING IN THE DUO SONATAS FOR PIANO AND STRINGS OF JOHANNES BRAHMS.
300 $a 367 p.
500 $a Source: Dissertation Abstracts International, Volume: 48-05, Section: A, page: 1142.
502 $a Thesis (Ph.D.)--New York University, 1987.
520 $a The purpose of this study is to formulate guidelines for pedaling Brahms' duo sonatas for piano and strings. The development of pedal mechanisms, notation, and technique is traced. The mechanics and operation of the modern grand piano's pedals are described. Pedaling concepts from the literature are organized to provide a summary of basic pedal usage.
520 $a Elements of Jan LaRue's style analysis (timelines, stress graphs) are used to analyze the sonatas and problematic pedaling passages. Brahms' pedal notations are investigated for stylistic use. Criteria for the identification of pedaling conflicts are developed, forming the basis for identifying problematic pedaling passages in the sonatas. Randomly selected problematic passages are analyzed with stress graphs to show conflicting or simultaneous points of activity or intensification in musical elements (sound, harmony, melody, rhythm, growth).
520 $a A questionnaire designed to conceptualize the pedaling expertise of ensemble pianists was administered in personal taped interviews. Five pianists were asked to notate pedaling for the randomly selected problematic passages of the sonatas. Their pedaling concepts are organized to formulate guidelines for pedaling string duos. Pedaling realizations are listed and identified under the problematic passages, illustrating agreement and disagreement. Stress graphs analyzing musical elements and intensifications are included for clarification of conflicts and possible correlation with the experts' pedalings. Based upon these data, principles for pedaling Brahm's duos were then formulated.
590 $a School code: 0146.
650 4 $a Education, Music. $3 1017808
650 4 $a Music. $3 516178
690 $a 0522
690 $a 0413
710 2 0 $a New York University. $3 515735
773 0 $t Dissertation Abstracts International $g 48-05A.
790 $a 0146
791 $a Ph.D.
792 $a 1987
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8712502