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Making history, picturing hysteria: ...

Kalbfleisch, Elizabeth Claire.

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Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography)./
Author:	Kalbfleisch, Elizabeth Claire.
Description:	146 p.
Notes:	Source: Masters Abstracts International, Volume: 39-03, page: 0613.
Contained By:	Masters Abstracts International39-03.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ54347
ISBN:	0612543471

Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography).
Kalbfleisch, Elizabeth Claire.

Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography). - 146 p.

Source: Masters Abstracts International, Volume: 39-03, page: 0613.

Thesis (M.A.)--Concordia University (Canada), 2000.

For two decades, the work of Montreal artist Nicole Jolicoeur has been centred around medical photographs documenting the hysterical patients of Dr. Jean-Martin Charcot at the Salpetriere hospital in late nineteenth century France. Jolicoeur's work is explored in the context of the constructed nature of both hysteria as an illness and the photograph for adeptly representing reality. Through her work, Jolicoeur performs a Foucauldian archaeology as she researches and re-assembles a visual history of hysteria. Using historical photographs, she proposes a new and critical history of hysteria that can be termed ficto-criticism. Both archaeology and ficto-criticism are explored as strategies for producing alternative histories. Archaeology and ficto-criticism allow for the artist to question the authority of Charcot and the medical establishment, and to tell the story of the oppression of the hysterical woman in a way that may be more truthful and satisfying than what has been offered by more traditional histories.

ISBN: 0612543471Subjects--Topical Terms:

635474
Art History.

Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography).
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100 1 $a Kalbfleisch, Elizabeth Claire. $3 1927769
245 1 0 $a Making history, picturing hysteria: Archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's "La verite folle" (Photography).
300 $a 146 p.
500 $a Source: Masters Abstracts International, Volume: 39-03, page: 0613.
500 $a Adviser: Olivier Asselin.
502 $a Thesis (M.A.)--Concordia University (Canada), 2000.
520 $a For two decades, the work of Montreal artist Nicole Jolicoeur has been centred around medical photographs documenting the hysterical patients of Dr. Jean-Martin Charcot at the Salpetriere hospital in late nineteenth century France. Jolicoeur's work is explored in the context of the constructed nature of both hysteria as an illness and the photograph for adeptly representing reality. Through her work, Jolicoeur performs a Foucauldian archaeology as she researches and re-assembles a visual history of hysteria. Using historical photographs, she proposes a new and critical history of hysteria that can be termed ficto-criticism. Both archaeology and ficto-criticism are explored as strategies for producing alternative histories. Archaeology and ficto-criticism allow for the artist to question the authority of Charcot and the medical establishment, and to tell the story of the oppression of the hysterical woman in a way that may be more truthful and satisfying than what has been offered by more traditional histories.
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773 0 $t Masters Abstracts International $g 39-03.
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ54347