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A study of the metaphorical content ...
~
Teplinskaia, Viktoria.
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A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz).
Record Type:
Electronic resources : Monograph/item
Title/Author:
A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz)./
Author:
Teplinskaia, Viktoria.
Description:
54 p.
Notes:
Source: Masters Abstracts International, Volume: 43-01, page: 0020.
Contained By:
Masters Abstracts International43-01.
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1421072
ISBN:
0496258178
A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz).
Teplinskaia, Viktoria.
A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz).
- 54 p.
Source: Masters Abstracts International, Volume: 43-01, page: 0020.
Thesis (M.F.A.)--California State University, Long Beach, 2004.
This is a project report based on the creation of the set design for L'Histoire du Soldat (The Soldier's Tale) by Igor Stravinsky and C. F. Ramuz. The play was produced by the California Repertory Company at the Edison Theatre in downtown Long Beach, California, from 23 February through 17 March 2001.
ISBN: 0496258178Subjects--Topical Terms:
522973
Theater.
A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz).
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A study of the metaphorical content of color and music in the theatrical space (Igor Stravinsky, C. F. Ramuz).
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54 p.
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Source: Masters Abstracts International, Volume: 43-01, page: 0020.
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Adviser: Barbara Mathews.
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Thesis (M.F.A.)--California State University, Long Beach, 2004.
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This is a project report based on the creation of the set design for L'Histoire du Soldat (The Soldier's Tale) by Igor Stravinsky and C. F. Ramuz. The play was produced by the California Repertory Company at the Edison Theatre in downtown Long Beach, California, from 23 February through 17 March 2001.
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Chapter 1 examines the relationships among color, music, and psychological impact on the human mind; investigates the historical understanding of this problem; and provides examples of its connection in the theatrical space.
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Chapter 2 explains the designer's motivations, emotional responses, and artistic choices made during the creative process of the design.
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Chapter 3 documents the collaborative process among the designer, director, and creative team and the evolution of the design.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1421072
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