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Pop goes the worship: The influence ...

Risi, Patrice.

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Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church./
Author:	Risi, Patrice.
Description:	109 p.
Notes:	Source: Masters Abstracts International, Volume: 45-04, page: 1714.
Contained By:	Masters Abstracts International45-04.
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1441545

Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church.
Risi, Patrice.

Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church. - 109 p.

Source: Masters Abstracts International, Volume: 45-04, page: 1714.

Thesis (M.A.)--Florida Atlantic University, 2007.

Worship music has always existed in church liturgy. The early Roman Catholic Church reserved music for an exclusive group of composers and performers. In rebellion, the common people worshipped privately with prayers in their own vernacular, to secular tunes. Martin Luther's Reformation during the Renaissance solidified worship as a congregational experience and marked the beginning of the Protestant Church. As Europeans and Africans migrated to colonial America, two different streams of music culture developed with interplay between sacred and secular influences. These two streams converged in the 1970s at the point of Contemporary Christian Music (CCM), which imitated the music of pop culture in an effort to be culturally relevant and to evangelize unbelievers. The fundamental evangelical church uses CCM to worship and evangelize by adopting popular music styles and adapting them lyrically to reflect an acceptable spiritual viewpoint to the church and as a magnet to attract unbelievers.Subjects--Topical Terms:

735016
Anthropology, Cultural.

Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church.
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100 1 $a Risi, Patrice. $3 1924053
245 1 0 $a Pop goes the worship: The influence of popular music on contemporary Christian music in the evangelical church.
300 $a 109 p.
500 $a Source: Masters Abstracts International, Volume: 45-04, page: 1714.
500 $a Adviser: James Cunningham.
502 $a Thesis (M.A.)--Florida Atlantic University, 2007.
520 $a Worship music has always existed in church liturgy. The early Roman Catholic Church reserved music for an exclusive group of composers and performers. In rebellion, the common people worshipped privately with prayers in their own vernacular, to secular tunes. Martin Luther's Reformation during the Renaissance solidified worship as a congregational experience and marked the beginning of the Protestant Church. As Europeans and Africans migrated to colonial America, two different streams of music culture developed with interplay between sacred and secular influences. These two streams converged in the 1970s at the point of Contemporary Christian Music (CCM), which imitated the music of pop culture in an effort to be culturally relevant and to evangelize unbelievers. The fundamental evangelical church uses CCM to worship and evangelize by adopting popular music styles and adapting them lyrically to reflect an acceptable spiritual viewpoint to the church and as a magnet to attract unbelievers.
590 $a School code: 0119.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a History, Church. $3 1020179
650 4 $a Music. $3 516178
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690 $a 0413
710 2 0 $a Florida Atlantic University. $3 1017837
773 0 $t Masters Abstracts International $g 45-04.
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792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1441545