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The construction of identity in post...

Hymes, Sarah Nicole.

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The construction of identity in post-Chicano art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The construction of identity in post-Chicano art./
Author:	Hymes, Sarah Nicole.
Description:	88 p.
Notes:	Source: Masters Abstracts International, Volume: 45-04, page: 1699.
Contained By:	Masters Abstracts International45-04.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1441426

The construction of identity in post-Chicano art.
Hymes, Sarah Nicole.

The construction of identity in post-Chicano art. - 88 p.

Source: Masters Abstracts International, Volume: 45-04, page: 1699.

Thesis (M.A.)--Texas Christian University, 2007.

The late-twentieth-century emergence of the term "post-Chicano art" requires an evaluation of the term's meaning and implications. This essay seeks to explore the utility of the designations of "Chicano art" and "post-Chicano art," focusing specifically on an exploration of post-Chicano art. Chicano art is specifically concerned with the identity of Mexican Americans engaged in the quest for visibility, equality, acceptance, and representation, while post-Chicano art is specifically tied to its practitioners' own contemporary social climate and personal aspirations, fundamentally different from those of Chicano artists yet still dedicated to the original goals of giving a voice to an underrepresented ethnic group and creating a positive narrative of Chicano history and culture.Subjects--Topical Terms:

635474
Art History.

The construction of identity in post-Chicano art.
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100 1 $a Hymes, Sarah Nicole. $3 1923201
245 1 4 $a The construction of identity in post-Chicano art.
300 $a 88 p.
500 $a Source: Masters Abstracts International, Volume: 45-04, page: 1699.
500 $a Adviser: Frances Colpitt.
502 $a Thesis (M.A.)--Texas Christian University, 2007.
520 $a The late-twentieth-century emergence of the term "post-Chicano art" requires an evaluation of the term's meaning and implications. This essay seeks to explore the utility of the designations of "Chicano art" and "post-Chicano art," focusing specifically on an exploration of post-Chicano art. Chicano art is specifically concerned with the identity of Mexican Americans engaged in the quest for visibility, equality, acceptance, and representation, while post-Chicano art is specifically tied to its practitioners' own contemporary social climate and personal aspirations, fundamentally different from those of Chicano artists yet still dedicated to the original goals of giving a voice to an underrepresented ethnic group and creating a positive narrative of Chicano history and culture.
520 $a Post-Chicano art initiates a dialogue with its Chicano predecessors, a critical undertaking that could not be accomplished without the significant gains made by earlier Chicano artists, who facilitated national recognition for the Mexican American community. In post-Chicano art the essential Mexican American has been abandoned, as the united community required of the Chicano movement has fractured and split, in the best sense of the terms. Through humor, exaggeration, critical appropriation, and studied reflection, post-Chicano artists have cracked open the Chicano community, allowing all varieties of experience to spill out before us. Post-Chicano art undermines our conception of the Chicano identity, forcing a more dynamic and varied understanding of Americans of Mexican descent, where both these components of identity (Mexican and American) exert influence and inform sensibilities.
590 $a School code: 0229.
650 4 $a Art History. $3 635474
650 4 $a Hispanic American Studies. $3 1017793
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710 2 0 $a Texas Christian University. $3 1017819
773 0 $t Masters Abstracts International $g 45-04.
790 1 0 $a Colpitt, Frances, $e advisor
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1441426