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Hip Hop herstory: Women in Hip Hop ...

Merriday, Jodi.

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Hip Hop herstory: Women in Hip Hop cultural production and music from margins to equity.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Hip Hop herstory: Women in Hip Hop cultural production and music from margins to equity./
Author:	Merriday, Jodi.
Description:	172 p.
Notes:	Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0994.
Contained By:	Dissertation Abstracts International67-03A.
Subject:	Black Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3211895
ISBN:	9780542624759

Hip Hop herstory: Women in Hip Hop cultural production and music from margins to equity.
Merriday, Jodi.

Hip Hop herstory: Women in Hip Hop cultural production and music from margins to equity. - 172 p.

Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0994.

Thesis (Ph.D.)--Temple University, 2006.

African-American women have been marginalized and excluded from substantive acknowledgment and equal recognition in Hip Hop cultural production and music. Where mentioned, they are most often peripherialized, marginalized, or spoken of as passive and acquiescent victims of misogyny and objectification. A significant part of Hip Hop history is absent in the current discourse. This story includes the contributions of women to Hip Hop cultural production and music and their resistance to misogyny, objectification, racism, and social marginalization. African-American women in Hip Hop cultural production and music have sustained legacies of resistance, resilience and protest.

ISBN: 9780542624759Subjects--Topical Terms:

1017673
Black Studies.

Hip Hop herstory: Women in Hip Hop cultural production and music from margins to equity.
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500 $a Source: Dissertation Abstracts International, Volume: 67-03, Section: A, page: 0994.
500 $a Adviser: Ella Forbes.
502 $a Thesis (Ph.D.)--Temple University, 2006.
520 $a African-American women have been marginalized and excluded from substantive acknowledgment and equal recognition in Hip Hop cultural production and music. Where mentioned, they are most often peripherialized, marginalized, or spoken of as passive and acquiescent victims of misogyny and objectification. A significant part of Hip Hop history is absent in the current discourse. This story includes the contributions of women to Hip Hop cultural production and music and their resistance to misogyny, objectification, racism, and social marginalization. African-American women in Hip Hop cultural production and music have sustained legacies of resistance, resilience and protest.
520 $a Africana womanism grounded this research in which latent coding was used in the framework of Content Analysis to determine if there were strong, moderate, or weak correlations between Africana womanist qualifiers and the texts (i.e. Raps) of five female Hip Hop artists: Salt n' Pepa, MC Lyte, Queen Latifah, and Sister Souljah. If there were at least ten instances of at least one of the selected Africana Womanist qualifiers, a strong correlation was reported. If there were at least six instances of at least one of the selected Africana Womanist qualifiers, a moderate correlation was reported. If there were less than five instances of at least one of the selected Africana womanist qualifiers, a weak correlation was reported.
520 $a Strong correlations were found between the selected artists and Africana womanist qualifiers. African-American women were found to have co-created Hip Hop and to have sustained agency as activists and artists negotiating urban terrain.
590 $a School code: 0225.
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