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Mary Elizabeth Braddon's "Belgravia"...

Gabriele, Alberto.

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Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism./
Author:	Gabriele, Alberto.
Description:	219 p.
Notes:	Source: Dissertation Abstracts International, Volume: 67-09, Section: A, page: 3412.
Contained By:	Dissertation Abstracts International67-09A.
Subject:	Literature, Comparative. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3234134
ISBN:	9780542877544

Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism.
Gabriele, Alberto.

Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism. - 219 p.

Source: Dissertation Abstracts International, Volume: 67-09, Section: A, page: 3412.

Thesis (Ph.D.)--New York University, 2006.

The dissertation is an interdisciplinary study that examines the cultural industry of the British periodical press in the 1860's primarily through the monthly magazine Belgravia, edited in its first eleven years of global circulation by the popular author of sensation novels Mary Elizabeth Braddon. My approach combines archival research into the magazine's global distribution by Maxwell's publishing house with the study of a specific literary genre, the sensation novel. I situate the practice of reading the installments of the novels within the broader textual field of the magazine that includes advertising, journalistic articles and illustrations. By doing so, my reading pushes beyond a formalist analysis of sensation novels to argue that sensationalism is a broader social and cultural phenomenon related to print culture and to the visual and intellectual experience of modernity. Specifically, the project shows that sensationalism links new forms of literary production and aesthetic theory with advertising techniques and popular forms of entertainment as well as narratives on world trade and debates on political representation. This interdisciplinary approach illustrates that sensationalism constitutes not simply a literary genre but a compelling cultural mode that articulates significant transformations in the culture of modernity.

ISBN: 9780542877544Subjects--Topical Terms:

530051
Literature, Comparative.

Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism.
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245 1 0 $a Mary Elizabeth Braddon's "Belgravia" in the global marketplace: A cultural history of late-Victorian sensationalism.
300 $a 219 p.
500 $a Source: Dissertation Abstracts International, Volume: 67-09, Section: A, page: 3412.
500 $a Advisers: Richard Sieburth; Jeffrey Spear.
502 $a Thesis (Ph.D.)--New York University, 2006.
520 $a The dissertation is an interdisciplinary study that examines the cultural industry of the British periodical press in the 1860's primarily through the monthly magazine Belgravia, edited in its first eleven years of global circulation by the popular author of sensation novels Mary Elizabeth Braddon. My approach combines archival research into the magazine's global distribution by Maxwell's publishing house with the study of a specific literary genre, the sensation novel. I situate the practice of reading the installments of the novels within the broader textual field of the magazine that includes advertising, journalistic articles and illustrations. By doing so, my reading pushes beyond a formalist analysis of sensation novels to argue that sensationalism is a broader social and cultural phenomenon related to print culture and to the visual and intellectual experience of modernity. Specifically, the project shows that sensationalism links new forms of literary production and aesthetic theory with advertising techniques and popular forms of entertainment as well as narratives on world trade and debates on political representation. This interdisciplinary approach illustrates that sensationalism constitutes not simply a literary genre but a compelling cultural mode that articulates significant transformations in the culture of modernity.
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