Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Making visible history: Engaging an...
~
O'Neil, Megan Eileen.
Linked to FindBook
Google Book
Amazon
博客來
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala)./
Author:
O'Neil, Megan Eileen.
Description:
404 p.
Notes:
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0796.
Contained By:
Dissertation Abstracts International66-03A.
Subject:
Art History. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3168962
ISBN:
9780542049491
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
O'Neil, Megan Eileen.
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
- 404 p.
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0796.
Thesis (Ph.D.)--Yale University, 2005.
This dissertation is an exploration of the historical dimensions of ancient Maya monumental stone sculpture from the fifth through the eighth centuries AD in present-day Chiapas, Mexico and the Peten, Guatemala. To this end, it is an investigation of how the Maya manipulated images and objects about and from their pasts as a means of envisioning and re-envisioning those pasts in relation to their own present. This took place in various ways, including the representation of persons and events from the past, the imitation or emulation of images and objects from the past, and the resetting of old objects in new contexts. The Maya thereby revived or reactivated pieces of the past in order to give new contexts to the present and past, forging connections with specific personages and events and creating webs of precedent and tradition.
ISBN: 9780542049491Subjects--Topical Terms:
635474
Art History.
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
LDR
:02724nmm 2200301 4500
001
1827821
005
20061228142201.5
008
130610s2005 eng d
020
$a
9780542049491
035
$a
(UnM)AAI3168962
035
$a
AAI3168962
040
$a
UnM
$c
UnM
100
1
$a
O'Neil, Megan Eileen.
$3
1916738
245
1 0
$a
Making visible history: Engaging ancient Maya sculpture (Mexico, Guatemala).
300
$a
404 p.
500
$a
Source: Dissertation Abstracts International, Volume: 66-03, Section: A, page: 0796.
500
$a
Director: Mary Ellen Miller.
502
$a
Thesis (Ph.D.)--Yale University, 2005.
520
$a
This dissertation is an exploration of the historical dimensions of ancient Maya monumental stone sculpture from the fifth through the eighth centuries AD in present-day Chiapas, Mexico and the Peten, Guatemala. To this end, it is an investigation of how the Maya manipulated images and objects about and from their pasts as a means of envisioning and re-envisioning those pasts in relation to their own present. This took place in various ways, including the representation of persons and events from the past, the imitation or emulation of images and objects from the past, and the resetting of old objects in new contexts. The Maya thereby revived or reactivated pieces of the past in order to give new contexts to the present and past, forging connections with specific personages and events and creating webs of precedent and tradition.
520
$a
Using information, methodology, and theory from art history, epigraphy, archaeology, and history, the author explores image, text, and context in the analysis of ancient Maya sculptures. The examinations concern not only the moment of creation but also changes over time that transpire with new creations, new contexts, and new juxtapositions. Therefore, this dissertation explores individual sculptures in detail and their physical and architectural contexts, in addition to the concept of Maya cities as palimpsests in which visible histories were written, augmented, erased, and rewritten. Moreover, the author suggests that ancient Maya viewers experienced and created history in a variety of ways through vision and movement in and among these sculptures. These continuing and dynamic creations of history align with concepts of the cyclicality and linearity of Maya time and history and practices of remapping the past in order to lead to the present.
590
$a
School code: 0265.
650
4
$a
Art History.
$3
635474
650
4
$a
Anthropology, Archaeology.
$3
622985
650
4
$a
History, Latin American.
$3
1017580
690
$a
0377
690
$a
0324
690
$a
0336
710
2 0
$a
Yale University.
$3
515640
773
0
$t
Dissertation Abstracts International
$g
66-03A.
790
1 0
$a
Miller, Mary Ellen,
$e
advisor
790
$a
0265
791
$a
Ph.D.
792
$a
2005
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3168962
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9218684
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login