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Motion picture moods for geeks and n...

Downie, Scott.

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Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system./
Author:	Downie, Scott.
Description:	98 p.
Notes:	Source: Masters Abstracts International, Volume: 44-04, page: 1550.
Contained By:	Masters Abstracts International44-04.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1432431
ISBN:	9780542531873

Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system.
Downie, Scott.

Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system. - 98 p.

Source: Masters Abstracts International, Volume: 44-04, page: 1550.

Thesis (M.A.)--The University of Kansas, 2006.

A soundtrack-generation program (nicknamed "Al") is to be designed for an idealized customer named "Steve." Given Steve's interests and skills, this paper looks at a number of the questions---practical, personal, psychological, musical, technological, and cultural---that should be addressed before the soundtrack-generation software can be written. Three methodologies are employed to determine how users who have received little or no musical training might best respond to the opportunity to create their own soundtracks for their home videos.

ISBN: 9780542531873Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system.
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245 1 0 $a Motion picture moods for geeks and non-musicians: An automated, intelligent music-generation system.
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500 $a Source: Masters Abstracts International, Volume: 44-04, page: 1550.
500 $a Adviser: Richard Branham.
502 $a Thesis (M.A.)--The University of Kansas, 2006.
520 $a A soundtrack-generation program (nicknamed "Al") is to be designed for an idealized customer named "Steve." Given Steve's interests and skills, this paper looks at a number of the questions---practical, personal, psychological, musical, technological, and cultural---that should be addressed before the soundtrack-generation software can be written. Three methodologies are employed to determine how users who have received little or no musical training might best respond to the opportunity to create their own soundtracks for their home videos.
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