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it used to be something (Original ar...

Lydick, Summer S.

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it used to be something (Original artwork, Painting, Texture).

Record Type:	Electronic resources : Monograph/item
Title/Author:	it used to be something (Original artwork, Painting, Texture)./
Author:	Lydick, Summer S.
Description:	30 p.
Notes:	Source: Masters Abstracts International, Volume: 44-03, page: 1074.
Contained By:	Masters Abstracts International44-03.
Subject:	Fine Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1429862
ISBN:	9780542399800

it used to be something (Original artwork, Painting, Texture).
Lydick, Summer S.

it used to be something (Original artwork, Painting, Texture). - 30 p.

Source: Masters Abstracts International, Volume: 44-03, page: 1074.

Thesis (M.A.)--Lamar University - Beaumont, 2005.

The focus of this graduate thesis is the concept of transformation, specifically the transformation of metal and man-made surfaces by the forces of nature. Recreating this in my studio, I transform oil paint and canvas into an archeological object, a collection of textures and patterns, and a series of marks that hint of something that once was.

ISBN: 9780542399800Subjects--Topical Terms:

891065
Fine Arts.

it used to be something (Original artwork, Painting, Texture).
LDR:02131nmm 2200301 4500 001 1826804
005 20061215124309.5
008 130610s2005 eng d
020 $a 9780542399800
035 $a (UnM)AAI1429862
035 $a AAI1429862
040 $a UnM $c UnM
100 1 $a Lydick, Summer S. $3 1915759
245 1 0 $a it used to be something (Original artwork, Painting, Texture).
300 $a 30 p.
500 $a Source: Masters Abstracts International, Volume: 44-03, page: 1074.
500 $a Adviser: Donna M. Meeks.
502 $a Thesis (M.A.)--Lamar University - Beaumont, 2005.
520 $a The focus of this graduate thesis is the concept of transformation, specifically the transformation of metal and man-made surfaces by the forces of nature. Recreating this in my studio, I transform oil paint and canvas into an archeological object, a collection of textures and patterns, and a series of marks that hint of something that once was.
520 $a Traditionally considered a feminine craft, sewing is used in a more aggressive manner. The repetition of the stitches echoes the bold marks of the scratches and adds three-dimensional texture. Pieces of rusted metal collaged onto the canvas serve to objectify and provide content for the work.
520 $a These paintings are about process: the processes of erosion, oxidation and weatherization. The distressed surfaces bear witness to the physical struggle of creating the work coupled with the passage of time. Building up and scratching back through the paint layers provides the background for re-presenting once useful objects (safety pins, bottle caps, nuts and bolts) as something aesthetic. These objects, when stripped of their original purpose, become tokens of surface or texture. Through the combined influences of time and nature, they become invaluable in their service now as an aesthetic object.
590 $a School code: 0424.
650 4 $a Fine Arts. $3 891065
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0357
690 $a 0389
710 2 0 $a Lamar University - Beaumont. $3 1020444
773 0 $t Masters Abstracts International $g 44-03.
790 1 0 $a Meeks, Donna M., $e advisor
790 $a 0424
791 $a M.A.
792 $a 2005
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1429862