語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
"Fail again, fail better": Contempor...
~
Bailes, Sara Jane.
FindBook
Google Book
Amazon
博客來
"Fail again, fail better": Contemporary performance theatre and the poetics of failure.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"Fail again, fail better": Contemporary performance theatre and the poetics of failure./
作者:
Bailes, Sara Jane.
面頁冊數:
398 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3867.
Contained By:
Dissertation Abstracts International66-11A.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3195423
ISBN:
9780542402678
"Fail again, fail better": Contemporary performance theatre and the poetics of failure.
Bailes, Sara Jane.
"Fail again, fail better": Contemporary performance theatre and the poetics of failure.
- 398 p.
Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3867.
Thesis (Ph.D.)--New York University, 2005.
This dissertation investigates failure in contemporary performance theatre. It considers a "poetics of failure" as offering an alternative economy of representation critical to a discourse of theatre specifically and performance studies more generally. Focusing primarily on the collaborative experimental theatre of Forced Entertainment (England), Elevator Repair Service (U.S.) and Goat Island (U.S.) during the last two and a half decades (1980-present day) it tracks the transition of failure from a literary to a theatrical trope, that is, from a paradigm of thought to a mode of practice. I locate the beginnings of this extended shift with specific reference to the work of playwright Samuel Beckett, and other relevant performance art/theatre histories of the twentieth century, in order to interrogate the implications of these new modes of practice as they intersect with key theoretical trajectories relevant to performance, such as Marxism, post-structuralism, and theories of representation. In particular, I argue that a poetics of failure, anti-hierarchical in its structure and in its ability to generate resistant techniques and modalities in performance, indexes a radical and exciting potentiality for theatre praxis. I track the specific development of a taxonomy of failure in performance as a methodology---a set of tactics deployed and worked out through theatre-making---and as an ethics of practice, that is, a poetics of failure conceived of as an ideology which informs the production of work. As well as focusing on the rehearsals and productions of the three above-named companies as case studies, my reading pays close attention to the social, political, and cultural contexts in which the work arises, and to the specific aesthetic and conceptual characteristics that index failure in the work of each group.
ISBN: 9780542402678Subjects--Topical Terms:
522973
Theater.
"Fail again, fail better": Contemporary performance theatre and the poetics of failure.
LDR
:02741nmm 2200277 4500
001
1826133
005
20061218074249.5
008
130610s2005 eng d
020
$a
9780542402678
035
$a
(UnM)AAI3195423
035
$a
AAI3195423
040
$a
UnM
$c
UnM
100
1
$a
Bailes, Sara Jane.
$3
1915105
245
1 0
$a
"Fail again, fail better": Contemporary performance theatre and the poetics of failure.
300
$a
398 p.
500
$a
Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 3867.
500
$a
Adviser: Jose Esteban Munoz.
502
$a
Thesis (Ph.D.)--New York University, 2005.
520
$a
This dissertation investigates failure in contemporary performance theatre. It considers a "poetics of failure" as offering an alternative economy of representation critical to a discourse of theatre specifically and performance studies more generally. Focusing primarily on the collaborative experimental theatre of Forced Entertainment (England), Elevator Repair Service (U.S.) and Goat Island (U.S.) during the last two and a half decades (1980-present day) it tracks the transition of failure from a literary to a theatrical trope, that is, from a paradigm of thought to a mode of practice. I locate the beginnings of this extended shift with specific reference to the work of playwright Samuel Beckett, and other relevant performance art/theatre histories of the twentieth century, in order to interrogate the implications of these new modes of practice as they intersect with key theoretical trajectories relevant to performance, such as Marxism, post-structuralism, and theories of representation. In particular, I argue that a poetics of failure, anti-hierarchical in its structure and in its ability to generate resistant techniques and modalities in performance, indexes a radical and exciting potentiality for theatre praxis. I track the specific development of a taxonomy of failure in performance as a methodology---a set of tactics deployed and worked out through theatre-making---and as an ethics of practice, that is, a poetics of failure conceived of as an ideology which informs the production of work. As well as focusing on the rehearsals and productions of the three above-named companies as case studies, my reading pays close attention to the social, political, and cultural contexts in which the work arises, and to the specific aesthetic and conceptual characteristics that index failure in the work of each group.
590
$a
School code: 0146.
650
4
$a
Theater.
$3
522973
650
4
$a
Dance.
$3
610547
690
$a
0465
690
$a
0378
710
2 0
$a
New York University.
$3
515735
773
0
$t
Dissertation Abstracts International
$g
66-11A.
790
1 0
$a
Munoz, Jose Esteban,
$e
advisor
790
$a
0146
791
$a
Ph.D.
792
$a
2005
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3195423
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9216996
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入